MARVEL & DC UNIVERSE – MOVIE WATCHLIST
Explore 120 live-action Marvel and DC films in theatrical release order—from Superman and the Mole Men to the latest cinematic universes. Each entry includes a fuller synopsis, director, producers, main cast and the comic issues and storylines connected to the film.
1950s

1. Superman and the Mole Men (1951)
DC- Director
- Lee Sholem
- Produced by
- Barney Sarecky
- Starring
- George Reeves, Phyllis Coates, Jeff Corey, J. Farrell MacDonald
Superman protects a subterranean people from frightened townsfolk after deep drilling disturbs them. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Action Comics #1; Superman #1; original film story
Connection: Character premise; original plot
1960s

2. Batman (1966)
DC- Director
- Leslie H. Martinson
- Produced by
- William Dozier
- Starring
- Adam West, Burt Ward, Lee Meriwether, Cesar Romero
Batman and Robin battle four united villains who plan to dehydrate world leaders. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Batman #73; Batman #171; Detective Comics #359; TV-series continuity
Connection: Character/camp-era synthesis
1970s

3. Superman (1978)
DC- Director
- Richard Donner
- Produced by
- Pierre Spengler
- Starring
- Marlon Brando, Gene Hackman, Christopher Reeve, Ned Beatty
Kal-El comes to Earth, becomes Superman and faces Lex Luthor’s deadly land scheme. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Action Comics #1; Superman #1; Superman #53; Action Comics #242
Connection: Definitive origin synthesis
1980s
4. Superman II (1980)
DC- Director
- Richard Lester
- Produced by
- Pierre Spengler
- Starring
- Gene Hackman, Christopher Reeve, Ned Beatty, Jackie Cooper
Superman sacrifices his powers for Lois as three Kryptonian criminals conquer Earth. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Adventure Comics #283; Superman #233–238; Action Comics #471–473
Connection: Phantom Zone villains synthesis
5. Swamp Thing (1982)
DC- Director
- Wes Craven
- Produced by
- Benjamin Melniker, Michael E. Uslan
- Starring
- Louis Jourdan, Adrienne Barbeau, Ray Wise, David Hess
Scientist Alec Holland becomes a swamp creature and battles Anton Arcane. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.
Comic connections: Swamp Thing #1–10 (1972); House of Secrets #92
Connection: Early Wein/Wrightson adaptation
6. Superman III (1983)
DC- Director
- Richard Lester
- Produced by
- Pierre Spengler
- Starring
- Christopher Reeve, Richard Pryor, Jackie Cooper, Marc McClure
Superman is corrupted by synthetic kryptonite while a computer genius is exploited by a tycoon. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Superman #125; World’s Finest #202; Action Comics #333
Connection: Character concepts; original plot
7. Supergirl (1984)
DC- Director
- Jeannot Szwarc
- Produced by
- Timothy Burrill
- Starring
- Helen Slater, Faye Dunaway, Hart Bochner, Peter Cook
Kara travels to Earth to recover a powerful artefact and confronts the sorceress Selena. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Action Comics #252; Adventure Comics #381; Supergirl #1 (1972)
Connection: Origin/character synthesis
8. Howard the Duck (1986)
Marvel- Director
- Willard Huyck
- Produced by
- Gloria Katz
- Starring
- Lea Thompson, Jeffrey Jones, Tim Robbins, Chip Zien
Howard is pulled from Duckworld to Earth and battles the Dark Overlord. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Howard the Duck #1–3 (1976); Adventure into Fear #19; Howard the Duck magazine #1
Connection: Character/origin; largely original plot
9. Superman IV: The Quest for Peace (1987)
DC- Director
- Sidney J. Furie
- Produced by
- Menahem Golan, Yoram Globus
- Starring
- Christopher Reeve, Gene Hackman, Jackie Cooper, Marc McClure
Superman tries to rid Earth of nuclear weapons and battles Lex Luthor’s Nuclear Man. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Superman #129; DC Comics Presents #57; original film story
Connection: Anti-nuclear themes; original villain/plot
10. The Punisher (1989)
Marvel- Director
- Mark Goldblatt
- Produced by
- Robert Mark Kamen
- Starring
- Dolph Lundgren, Louis Gossett Jr., Jeroen Krabbé, Kim Miyori
Frank Castle wages a one-man war on organised crime and reluctantly confronts the Yakuza. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.
Comic connections: The Amazing Spider-Man #129; Punisher #1–5 (1986); Punisher War Journal #1
Connection: Character and early solo-series influence
11. The Return of Swamp Thing (1989)
DC- Director
- Jim Wynorski
- Produced by
- Benjamin Melniker, Michael E. Uslan
- Starring
- Louis Jourdan, Heather Locklear, Sarah Douglas, Dick Durock
Swamp Thing protects Abby Arcane from her stepfather’s monstrous experiments. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Swamp Thing #3–10 (1972); Saga of the Swamp Thing #21–27
Connection: Character synthesis with lighter tone
12. Batman (1989)
DC- Director
- Tim Burton
- Produced by
- Jon Peters, Peter Guber
- Starring
- Jack Nicholson, Michael Keaton, Kim Basinger, Robert Wuhl
Batman confronts the Joker while Gotham learns of its mysterious vigilante. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.
Comic connections: Detective Comics #27; Batman #1; The Killing Joke; The Dark Knight Returns
Connection: Golden Age plus 1980s tonal influence
1990s
13. Captain America (1990)
Marvel- Director
- Albert Pyun
- Produced by
- Menahem Golan
- Starring
- Matt Salinger, Ronny Cox, Ned Beatty, Darren McGavin
Steve Rogers awakens decades after fighting the Red Skull and must stop his former enemy’s global scheme. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Captain America Comics #1; Tales of Suspense #63–71; Captain America #255
Connection: Origin synthesis
14. Batman Returns (1992)
DC- Director
- Tim Burton
- Produced by
- Denise Di Novi, Tim Burton
- Starring
- Michael Keaton, Danny DeVito, Michelle Pfeiffer, Christopher Walken
Batman faces the Penguin’s political revenge and Catwoman’s campaign against Max Shreck. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Detective Comics #58; Batman #1; Batman #62; Catwoman stories by Kane/Finger
Connection: Character synthesis; original plot
15. Batman Forever (1995)
DC- Director
- Joel Schumacher
- Produced by
- Tim Burton, Peter MacGregor-Scott
- Starring
- Val Kilmer, Tommy Lee Jones, Jim Carrey, Nicole Kidman
Batman battles Two-Face and the Riddler while taking orphaned Dick Grayson as Robin. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Detective Comics #38, #66, #140; Batman #234; Robin: Year One #1–4
Connection: Origin/character synthesis
16. Batman & Robin (1997)
DC- Director
- Joel Schumacher
- Produced by
- Peter MacGregor-Scott
- Starring
- Arnold Schwarzenegger, George Clooney, Chris O'Donnell, Uma Thurman
Batman, Robin and Batgirl oppose Mr. Freeze, Poison Ivy and Bane. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Batman #121; Batman #181; Detective Comics #359; Knightfall (Batman #491–500)
Connection: Villain and Batgirl synthesis
17. Steel (1997)
DC- Director
- Kenneth Johnson
- Produced by
- David Salzman, Quincy Jones, Joel Simon
- Starring
- Shaquille O'Neal, Annabeth Gish, Richard Roundtree, Judd Nelson
Weapons engineer John Henry Irons builds armour to stop gangs using technology he designed. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Adventures of Superman #500; Steel #1–5; Reign of the Supermen
Connection: Steel origin adaptation without Superman
18. Blade (1998)
Marvel- Director
- Stephen Norrington
- Produced by
- Peter Frankfurt, Wesley Snipes, Robert Engelman
- Starring
- Wesley Snipes, Stephen Dorff, Kris Kristofferson, N'Bushe Wright
A half-vampire hunter battles Deacon Frost, who plans to awaken an ancient blood god. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Tomb of Dracula #10, #13, #25; Blade: The Vampire-Hunter #1
Connection: Character/origin; original plot
2000s
19. X-Men (2000)
Marvel- Director
- Bryan Singer
- Produced by
- Lauren Shuler Donner, Ralph Winter
- Starring
- Patrick Stewart, Hugh Jackman, Ian McKellen, Halle Berry
Mutants caught between Xavier’s coexistence and Magneto’s militancy race to stop forced mutation. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: X-Men #1; Uncanny X-Men #150; X-Men: God Loves, Man Kills
Connection: Broad thematic synthesis
20. Blade II (2002)
Marvel- Director
- Guillermo del Toro
- Produced by
- Peter Frankfurt, Wesley Snipes, Patrick Palmer
- Starring
- Wesley Snipes, Kris Kristofferson, Ron Perlman, Leonor Varela
Blade joins an uneasy vampire strike team against the Reapers, a lethal new strain. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Blade #1–10 (1994); Nightstalkers #1; Tomb of Dracula #45–53
Connection: Character/world influence; original plot
21. Spider-Man (2002)
Marvel- Director
- Sam Raimi
- Produced by
- Laura Ziskin, Ian Bryce
- Starring
- Tobey Maguire, Willem Dafoe, Kirsten Dunst, James Franco
Peter Parker gains spider-powers, faces the Green Goblin and learns the cost of responsibility. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Amazing Fantasy #15; The Amazing Spider-Man #14, #39–40, #121–122
Connection: Origin and Goblin-story synthesis
22. Daredevil (2003)
Marvel- Director
- Mark Steven Johnson
- Produced by
- Arnon Milchan, Gary Foster, Avi Arad
- Starring
- Ben Affleck, Jennifer Garner, Michael Clarke Duncan, Colin Farrell
Blind lawyer Matt Murdock battles Kingpin and Bullseye while protecting Elektra. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Daredevil #1; #168–181; #227–233 (Born Again)
Connection: Frank Miller era synthesis
23. X2: X-Men United (2003)
Marvel- Director
- Bryan Singer
- Produced by
- Lauren Shuler Donner, Ralph Winter
- Starring
- Patrick Stewart, Hugh Jackman, Ian McKellen, Halle Berry
Mutants unite against William Stryker, who plans to use Xavier to eradicate mutantkind. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Marvel Graphic Novel #5: God Loves, Man Kills; Uncanny X-Men #161; Weapon X (Marvel Comics Presents #72–84)
Connection: Close thematic adaptation/synthesis
24. Hulk (2003)
Marvel- Director
- Ang Lee
- Produced by
- Gale Anne Hurd, Avi Arad, James Schamus, Larry Franco
- Starring
- Eric Bana, Jennifer Connelly, Sam Elliott, Josh Lucas
Bruce Banner’s trauma and gamma transformation collide with his estranged father’s experiments. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Incredible Hulk #1; #312; #377; Hulk: Gray #1–6
Connection: Origin and psychological-run influence
25. The Punisher (2004)
Marvel- Director
- Jonathan Hensleigh
- Produced by
- Avi Arad, Gale Anne Hurd
- Starring
- Thomas Jane, John Travolta, Will Patton, Roy Scheider
After his family is murdered, Frank Castle dismantles crime boss Howard Saint’s empire. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: The Amazing Spider-Man #129; Punisher: Year One #1–4; Welcome Back, Frank #1–12
Connection: Origin plus story elements
26. Spider-Man 2 (2004)
Marvel- Director
- Sam Raimi
- Produced by
- Laura Ziskin, Avi Arad
- Starring
- Tobey Maguire, Kirsten Dunst, James Franco, Alfred Molina
Peter’s powers falter as Doctor Octopus’s fusion experiment threatens New York. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: The Amazing Spider-Man #3, #11–12, #50; Spider-Man No More!
Connection: Close character/story synthesis
27. Blade: Trinity (2004)
Marvel- Director
- David S. Goyer
- Produced by
- Peter Frankfurt, Wesley Snipes, David S. Goyer, Lynn Harris
- Starring
- Wesley Snipes, Kris Kristofferson, Jessica Biel, Ryan Reynolds
Blade is framed and joins younger hunters to stop Dracula and the vampire nation. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Tomb of Dracula #1, #10; Nightstalkers #1; Blade: Trinity tie-in #1
Connection: Character synthesis; original plot
28. Catwoman (2004)
DC- Director
- Pitof
- Produced by
- Denise Di Novi, Edward L. McDonnell
- Starring
- Halle Berry, Benjamin Bratt, Lambert Wilson, Frances Conroy
Patience Phillips is resurrected with feline powers and exposes a deadly cosmetics conspiracy. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Batman #1; Detective Comics #569–570; Catwoman #1–4 (1993)
Connection: Name/concept only; largely original character
29. Elektra (2005)
Marvel- Director
- Rob Bowman
- Produced by
- Arnon Milchan, Gary Foster, Avi Arad
- Starring
- Jennifer Garner, Goran Višnjić, Will Yun Lee, Cary-Hiroyuki Tagawa
Resurrected assassin Elektra protects a gifted girl from the Hand. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.
Comic connections: Daredevil #168–181; Elektra: Assassin #1–8; Elektra Lives Again
Connection: Character/Hand influence
30. Fantastic Four (2005)
Marvel- Director
- Tim Story
- Produced by
- Avi Arad, Ralph Winter, Bernd Eichinger
- Starring
- Ioan Gruffudd, Jessica Alba, Chris Evans, Michael Chiklis
Four astronauts gain powers and must stop Victor Von Doom after a cosmic accident. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Fantastic Four #1, #5, #57–60; Ultimate Fantastic Four #1–6
Connection: Origin synthesis, strongly Ultimate-influenced
31. Constantine (2005)
DC- Director
- Francis Lawrence
- Produced by
- Lauren Shuler Donner, Benjamin Melniker, Michael E. Uslan, Erwin Stoff, Lorenzo di Bonaventura, Akiva Goldsman
- Starring
- Keanu Reeves, Rachel Weisz, Shia LaBeouf, Tilda Swinton
Occult detective John Constantine investigates a supernatural conspiracy threatening Los Angeles. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Saga of the Swamp Thing #37–50; Hellblazer #1–9; Dangerous Habits #41–46
Connection: Hellblazer character synthesis
32. Batman Begins (2005)
DC- Director
- Christopher Nolan
- Produced by
- Charles Roven, Emma Thomas, Larry Franco
- Starring
- Christian Bale, Michael Caine, Liam Neeson, Katie Holmes
Bruce Wayne trains abroad, becomes Batman and confronts Ra’s al Ghul’s attack on Gotham. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Batman: Year One #404–407; The Man Who Falls; Detective Comics #235; Batman #232
Connection: Origin synthesis
33. X-Men: The Last Stand (2006)
Marvel- Director
- Brett Ratner
- Produced by
- Lauren Shuler Donner, Ralph Winter, Avi Arad
- Starring
- Hugh Jackman, Halle Berry, Ian McKellen, Famke Janssen
A mutant “cure” divides the X-Men as Jean Grey returns with destructive Phoenix power. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Uncanny X-Men #101–108 and #129–137 (Dark Phoenix Saga); Astonishing X-Men #1–6 (Gifted)
Connection: Two major arcs combined
34. Superman Returns (2006)
DC- Director
- Bryan Singer
- Produced by
- Jon Peters, Bryan Singer, Gilbert Adler
- Starring
- Brandon Routh, Kate Bosworth, James Marsden, Frank Langella
Superman returns after years away and stops Lex Luthor’s continent-building scheme. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.
Comic connections: Superman #1; Whatever Happened to the Man of Tomorrow? #423/Action #583; Kingdom Come #1–4
Connection: Reeve-film sequel with comics influence
35. Ghost Rider (2007)
Marvel- Director
- Mark Steven Johnson
- Produced by
- Avi Arad, Steven Paul, Michael De Luca, Gary Foster
- Starring
- Nicolas Cage, Eva Mendes, Wes Bentley, Sam Elliott
Stunt rider Johnny Blaze becomes the Devil’s bounty hunter and fights Blackheart. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Marvel Spotlight #5–11; Ghost Rider #1 (1973); Ghost Rider #68–81
Connection: Origin/character synthesis
36. Spider-Man 3 (2007)
Marvel- Director
- Sam Raimi
- Produced by
- Laura Ziskin, Avi Arad, Grant Curtis
- Starring
- Tobey Maguire, Kirsten Dunst, James Franco, Thomas Haden Church
Peter’s alien suit amplifies his anger while Sandman and Venom threaten his life. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: The Amazing Spider-Man #4; Secret Wars #8; The Amazing Spider-Man #252–259, #300
Connection: Sandman and symbiote arcs combined
37. Fantastic Four: Rise of the Silver Surfer (2007)
Marvel- Director
- Tim Story
- Produced by
- Avi Arad, Bernd Eichinger, Ralph Winter
- Starring
- Ioan Gruffudd, Jessica Alba, Chris Evans, Michael Chiklis
The Four confront the Silver Surfer and a world-consuming cosmic threat while Doom returns. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.
Comic connections: Fantastic Four #48–50 (Galactus Trilogy); #57–60
Connection: Close Galactus Trilogy adaptation, heavily altered
38. Iron Man (2008)
Marvel- Director
- Jon Favreau
- Produced by
- Avi Arad, Kevin Feige
- Starring
- Robert Downey Jr., Terrence Howard, Jeff Bridges, Gwyneth Paltrow
Captive weapons maker Tony Stark builds armour, escapes and turns against his own company’s abuses. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Tales of Suspense #39; Iron Man #200; Ultimate Iron Man #1–5; Iron Man: Extremis #1–6
Connection: Modernised origin synthesis
39. The Incredible Hulk (2008)
Marvel- Director
- Louis Leterrier
- Produced by
- Avi Arad, Gale Anne Hurd, Kevin Feige
- Starring
- Edward Norton, Liv Tyler, Tim Roth, William Hurt
Bruce Banner seeks a cure while General Ross and the Abomination hunt him. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Incredible Hulk #1; Tales to Astonish #90–91; Incredible Hulk #25 (2001)
Connection: Origin and Abomination synthesis
40. Punisher: War Zone (2008)
Marvel- Director
- Lexi Alexander
- Produced by
- Gale Anne Hurd
- Starring
- Ray Stevenson, Dominic West, Julie Benz, Colin Salmon
Frank Castle targets mobster Billy Russoti, transformed into the disfigured Jigsaw. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: The Amazing Spider-Man #129; Punisher #1–5 (2000); Punisher MAX #1–12
Connection: MAX-era tone; character synthesis
41. The Dark Knight (2008)
DC- Director
- Christopher Nolan
- Produced by
- Emma Thomas, Charles Roven, Christopher Nolan
- Starring
- Christian Bale, Michael Caine, Heath Ledger, Gary Oldman
Batman, Gordon and Harvey Dent face the Joker’s campaign to corrupt Gotham. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: The Long Halloween #1–13; Batman #1; The Killing Joke; The Man Who Laughs
Connection: Crime-saga synthesis
42. X-Men Origins: Wolverine (2009)
Marvel- Director
- Gavin Hood
- Produced by
- Lauren Shuler Donner, Ralph Winter, Hugh Jackman, John Palermo
- Starring
- Hugh Jackman, Liev Schreiber, Danny Huston, Dominic Monaghan
Logan’s violent history with Victor Creed leads him into Stryker’s Weapon X programme. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Origin #1–6; Weapon X (Marvel Comics Presents #72–84); Wolverine #10
Connection: Backstory synthesis
43. Watchmen (2009)
DC- Director
- Zack Snyder
- Produced by
- Lawrence Gordon, Lloyd Levin, Deborah Snyder
- Starring
- Malin Åkerman, Billy Crudup, Matthew Goode, Carla Gugino
Former masked heroes investigate a murder and uncover a plot meant to reshape world history. The feature condenses the principal comic storyline for the screen, retaining its central conflict while combining characters and events into a single film. It also preserves the emotional stakes and defining choices that made the source memorable.
Comic connections: Watchmen #1–12
Connection: Direct/close adaptation
2010s
44. Iron Man 2 (2010)
Marvel- Director
- Jon Favreau
- Produced by
- Kevin Feige
- Starring
- Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Scarlett Johansson
Tony faces government pressure, poisoning and Ivan Vanko’s revenge while building a new element. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Iron Man #120–128 (Demon in a Bottle); #225–232 (Armor Wars); Tales of Suspense #97–99
Connection: Loose synthesis
45. Jonah Hex (2010)
DC- Director
- Jimmy Hayward
- Produced by
- Akiva Goldsman, Andrew Lazar
- Starring
- Josh Brolin, John Malkovich, Megan Fox, Michael Fassbender
A scarred bounty hunter with supernatural abilities hunts the terrorist who murdered his family. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: All-Star Western #10; Weird Western Tales #14–38; Jonah Hex: Two-Gun Mojo #1–5
Connection: Character synthesis; original plot
46. Thor (2011)
Marvel- Director
- Kenneth Branagh
- Produced by
- Kevin Feige
- Starring
- Chris Hemsworth, Natalie Portman, Tom Hiddleston, Stellan Skarsgård
The arrogant Thor is exiled to Earth and must become worthy before Loki seizes Asgard. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Journey into Mystery #83–85; Thor #159; Thor #364–366
Connection: Origin synthesis
47. X-Men: First Class (2011)
Marvel- Director
- Matthew Vaughn
- Produced by
- Lauren Shuler Donner, Bryan Singer, Simon Kinberg, Gregory Goodman
- Starring
- James McAvoy, Michael Fassbender, Jennifer Lawrence, Rose Byrne
Young Xavier and Magneto form the first X-Men during the Cuban Missile Crisis, then fracture ideologically. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: X-Men #1; X-Men: First Class #1–8; Uncanny X-Men #161
Connection: Character/history synthesis
48. Captain America: The First Avenger (2011)
Marvel- Director
- Joe Johnston
- Produced by
- Kevin Feige
- Starring
- Chris Evans, Tommy Lee Jones, Hugo Weaving, Hayley Atwell
Steve Rogers becomes a super-soldier and fights Hydra during the Second World War. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Captain America Comics #1; Tales of Suspense #63–71; Captain America #255
Connection: Origin synthesis
49. Ghost Rider: Spirit of Vengeance (2011)
Marvel- Director
- Mark Neveldine, Brian Taylor
- Produced by
- Steven Paul, Ashok Amritraj, Michael De Luca, Avi Arad, Ari Arad
- Starring
- Nicolas Cage, Ciarán Hinds, Violante Placido, Johnny Whitworth
Johnny Blaze tries to save a boy from becoming the Devil’s vessel. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.
Comic connections: Marvel Spotlight #5; Ghost Rider #68–81; Spirits of Vengeance #1
Connection: Character/world influence
50. Green Lantern (2011)
DC- Director
- Martin Campbell
- Produced by
- Donald De Line, Greg Berlanti, Geoff Johns
- Starring
- Ryan Reynolds, Blake Lively, Peter Sarsgaard, Mark Strong
Test pilot Hal Jordan joins an intergalactic corps and faces the fear entity Parallax. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Showcase #22; Green Lantern: Secret Origin #29–35; Emerald Twilight #48–50
Connection: Origin synthesis
51. The Avengers (2012)
Marvel- Director
- Joss Whedon
- Produced by
- Kevin Feige
- Starring
- Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth
Earth’s new heroes unite when Loki uses the Tesseract to invade New York. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.
Comic connections: Avengers #1; Ultimates #1–6; Ultimates 2 #1–13
Connection: Team formation, heavily Ultimate-influenced
52. The Amazing Spider-Man (2012)
Marvel- Director
- Marc Webb
- Produced by
- Laura Ziskin, Avi Arad, Matt Tolmach
- Starring
- Andrew Garfield, Emma Stone, Rhys Ifans, Denis Leary
Peter investigates his parents’ disappearance, gains powers and battles the Lizard. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Amazing Fantasy #15; The Amazing Spider-Man #6; Ultimate Spider-Man #1–13
Connection: Origin synthesis
53. The Dark Knight Rises (2012)
DC- Director
- Christopher Nolan
- Produced by
- Emma Thomas, Christopher Nolan, Charles Roven
- Starring
- Christian Bale, Michael Caine, Gary Oldman, Anne Hathaway
A broken Bruce Wayne returns when Bane seizes Gotham and exposes its buried lies. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.
Comic connections: Knightfall (Batman #491–500); No Man’s Land; The Dark Knight Returns
Connection: Major Batman arcs synthesized
54. Iron Man 3 (2013)
Marvel- Director
- Shane Black
- Produced by
- Kevin Feige
- Starring
- Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Guy Pearce
Tony confronts trauma, the Mandarin myth and Extremis-enhanced soldiers. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.
Comic connections: Iron Man: Extremis #1–6; Iron Man #200; Tales of Suspense #50
Connection: Extremis adaptation with Mandarin reinvention
55. The Wolverine (2013)
Marvel- Director
- James Mangold
- Produced by
- Lauren Shuler Donner, Hutch Parker
- Starring
- Hugh Jackman, Tao Okamoto, Rila Fukushima, Hiroyuki Sanada
Haunted Logan travels to Japan and is offered mortality amid a clan war. The feature condenses the principal comic storyline for the screen, retaining its central conflict while combining characters and events into a single film. It also preserves the emotional stakes and defining choices that made the source memorable.
Comic connections: Wolverine #1–4 (1982); Uncanny X-Men #172–173
Connection: Close adaptation of Miller/Claremont Japan saga
56. Thor: The Dark World (2013)
Marvel- Director
- Alan Taylor
- Produced by
- Kevin Feige
- Starring
- Chris Hemsworth, Natalie Portman, Tom Hiddleston, Stellan Skarsgård
Thor fights Malekith, who seeks to plunge the cosmos into darkness with the Aether. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.
Comic connections: Thor #344–349; Thor #363–366
Connection: Simonson-era character influence
57. Man of Steel (2013)
DC- Director
- Zack Snyder
- Produced by
- Charles Roven, Christopher Nolan, Emma Thomas, Deborah Snyder
- Starring
- Henry Cavill, Amy Adams, Michael Shannon, Kevin Costner
Clark Kent reveals himself to defend Earth from General Zod’s Kryptonian invasion. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Action Comics #1; Superman: Birthright #1–12; Superman: Secret Origin #1–6; Earth One #1
Connection: Modern origin synthesis
58. Captain America: The Winter Soldier (2014)
Marvel- Director
- Anthony Russo, Joe Russo
- Produced by
- Kevin Feige
- Starring
- Chris Evans, Scarlett Johansson, Sebastian Stan, Anthony Mackie
Steve uncovers Hydra inside S.H.I.E.L.D. and learns the Winter Soldier’s identity. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Captain America #1–9, #11–14 (2005); Strange Tales #135–145; Secret Warriors #1–6
Connection: Winter Soldier plus S.H.I.E.L.D. conspiracy synthesis
59. The Amazing Spider-Man 2 (2014)
Marvel- Director
- Marc Webb
- Produced by
- Avi Arad, Matt Tolmach
- Starring
- Andrew Garfield, Emma Stone, Jamie Foxx, Dane DeHaan
Peter faces Electro, Harry Osborn and the consequences of the promise he made to Gwen’s father. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: The Amazing Spider-Man #9; #121–122; Ultimate Spider-Man #74–85
Connection: Electro and Death of Gwen Stacy synthesis
60. X-Men: Days of Future Past (2014)
Marvel- Director
- Bryan Singer
- Produced by
- Bryan Singer, Lauren Shuler Donner, Simon Kinberg, Hutch Parker
- Starring
- Hugh Jackman, James McAvoy, Michael Fassbender, Jennifer Lawrence
Wolverine travels to 1973 to prevent an assassination that creates a Sentinel-ruled future. The feature condenses the principal comic storyline for the screen, retaining its central conflict while combining characters and events into a single film. It also preserves the emotional stakes and defining choices that made the source memorable.
Comic connections: Uncanny X-Men #141–142; Wolverine #73–74
Connection: Close adaptation with changed cast/time mechanics
61. Guardians of the Galaxy (2014)
Marvel- Director
- James Gunn
- Produced by
- Kevin Feige
- Starring
- Chris Pratt, Zoe Saldaña, Dave Bautista, Vin Diesel
Five cosmic misfits unite to stop Ronan from using an Infinity Stone to destroy Xandar. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Annihilation: Conquest #1–6; Guardians of the Galaxy #1–6 (2008); Marvel Super-Heroes #18
Connection: Team/Annihilation-era synthesis
62. Avengers: Age of Ultron (2015)
Marvel- Director
- Joss Whedon
- Produced by
- Kevin Feige
- Starring
- Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans
Tony’s peacekeeping AI turns genocidal, forcing the Avengers to confront their own fractures. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Avengers #54–55; Avengers #57–58; Age of Ultron #1–10; Ultron Unlimited (Avengers #19–22)
Connection: Ultron character synthesis, not close to event comic
63. Ant-Man (2015)
Marvel- Director
- Peyton Reed
- Produced by
- Kevin Feige
- Starring
- Paul Rudd, Evangeline Lilly, Corey Stoll, Bobby Cannavale
Thief Scott Lang uses Hank Pym’s shrinking suit to pull off a high-stakes heist. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Tales to Astonish #27, #35; Marvel Premiere #47–48; To Steal an Ant-Man!
Connection: Scott Lang origin adaptation
64. Fantastic Four (2015)
Marvel- Director
- Josh Trank
- Produced by
- Matthew Vaughn, Simon Kinberg, Gregory Goodman, Hutch Parker, Robert Kulzer
- Starring
- Miles Teller, Michael B. Jordan, Kate Mara, Jamie Bell
Young explorers enter another dimension, gain powers and confront their transformed colleague Doom. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Ultimate Fantastic Four #1–6; Fantastic Four #1; Ultimate Fantastic Four #21–23
Connection: Ultimate-origin influence
65. Deadpool (2016)
Marvel- Director
- Tim Miller
- Produced by
- Simon Kinberg, Ryan Reynolds, Lauren Shuler Donner
- Starring
- Ryan Reynolds, Morena Baccarin, Ed Skrein, T.J. Miller
Mercenary Wade Wilson hunts the man who tortured him and triggered his mutant healing factor. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: New Mutants #98; Deadpool: The Circle Chase #1–4; Deadpool #1–33 (1997)
Connection: Character/voice synthesis
66. Captain America: Civil War (2016)
Marvel- Director
- Anthony Russo, Joe Russo
- Produced by
- Kevin Feige
- Starring
- Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan
The Avengers split over government oversight and Bucky’s alleged crimes. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.
Comic connections: Civil War #1–7; Captain America #1–14 (2005); Amazing Spider-Man #529–538
Connection: Loose Civil War adaptation plus Winter Soldier
67. X-Men: Apocalypse (2016)
Marvel- Director
- Bryan Singer
- Produced by
- Simon Kinberg, Bryan Singer, Hutch Parker, Lauren Shuler Donner
- Starring
- James McAvoy, Michael Fassbender, Jennifer Lawrence, Oscar Isaac
The ancient mutant Apocalypse recruits Horsemen while the young X-Men rally to stop him. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: X-Factor #5–6; X-Factor #24–25; Age of Apocalypse: X-Men Alpha #1
Connection: Apocalypse mythology synthesis
68. Doctor Strange (2016)
Marvel- Director
- Scott Derrickson
- Produced by
- Kevin Feige
- Starring
- Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, Benedict Wong
Injured surgeon Stephen Strange learns mystic arts and confronts Dormammu’s Dark Dimension. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Strange Tales #110–111, #114–146; Doctor Strange: The Oath #1–5
Connection: Origin synthesis
69. Batman v Superman: Dawn of Justice – Ultimate Edition (2016)
DC- Director
- Zack Snyder
- Produced by
- Charles Roven, Deborah Snyder
- Starring
- Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg
Batman targets Superman as Lex Luthor engineers their conflict and unleashes Doomsday. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.
Comic connections: The Dark Knight Returns #1–4; The Death of Superman (Superman #75); Superman: Birthright #1–12
Connection: Multiple landmark arcs synthesized
70. Suicide Squad (2016)
DC- Director
- David Ayer
- Produced by
- Charles Roven, Richard Suckle
- Starring
- Will Smith, Jared Leto, Margot Robbie, Joel Kinnaman
Imprisoned villains are recruited for a black-ops mission against a supernatural threat. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Legends #3; Suicide Squad #1–8 (1987); New 52 Suicide Squad #1–7
Connection: Team synthesis
71. Logan (2017)
Marvel- Director
- James Mangold
- Produced by
- Hutch Parker, Simon Kinberg, Lauren Shuler Donner
- Starring
- Hugh Jackman, Patrick Stewart, Richard E. Grant, Boyd Holbrook
An ageing, poisoned Wolverine escorts a young mutant across a hostile near-future. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.
Comic connections: Wolverine #66–72 and Giant-Size Old Man Logan #1; X-23 #1–6; Death of Wolverine #1–4
Connection: Loose Old Man Logan premise; X-23 influence
72. Guardians of the Galaxy Vol. 2 (2017)
Marvel- Director
- James Gunn
- Produced by
- Kevin Feige
- Starring
- Chris Pratt, Zoe Saldaña, Dave Bautista, Vin Diesel
Peter meets his celestial father as the Guardians test what family means. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Marvel Preview #4, #11; Guardians of the Galaxy #1–6 (2008); Ego stories in Thor #132–133
Connection: Character synthesis; original plot
73. Spider-Man: Homecoming (2017)
Marvel- Director
- Jon Watts
- Produced by
- Kevin Feige, Amy Pascal
- Starring
- Tom Holland, Michael Keaton, Jon Favreau, Gwyneth Paltrow
Teenage Peter balances school and heroism while pursuing the Vulture’s weapons ring. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: The Amazing Spider-Man #2; Ultimate Spider-Man #1–13; Amazing Spider-Man #271
Connection: Character synthesis
74. Thor: Ragnarok (2017)
Marvel- Director
- Taika Waititi
- Produced by
- Kevin Feige
- Starring
- Chris Hemsworth, Tom Hiddleston, Cate Blanchett, Idris Elba
Thor, Hulk and Valkyrie escape Sakaar to stop Hela and the destruction of Asgard. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Thor #337–382; Incredible Hulk #92–105 (Planet Hulk); Thor #127–128 (Ragnarok)
Connection: Planet Hulk and Ragnarok synthesis
75. Wonder Woman (2017)
DC- Director
- Patty Jenkins
- Produced by
- Charles Roven, Deborah Snyder, Zack Snyder, Richard Suckle
- Starring
- Gal Gadot, Chris Pine, Robin Wright, Danny Huston
Diana leaves Themyscira during the First World War to stop Ares’s influence on humanity. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: All Star Comics #8; Wonder Woman #1; Gods and Mortals #1–7; The Legend of Wonder Woman #1–9
Connection: Origin synthesis
76. Justice League (2017)
DC- Director
- Zack Snyder
- Produced by
- Charles Roven, Deborah Snyder, Jon Berg, Geoff Johns
- Starring
- Ben Affleck, Henry Cavill, Gal Gadot, Ezra Miller
Batman and Wonder Woman assemble heroes to stop Steppenwolf after Superman’s death. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Justice League of America #1; New 52 Justice League #1–6 (Origin); Fourth World/New Gods #1
Connection: Team and Fourth World synthesis
77. Black Panther (2018)
Marvel- Director
- Ryan Coogler
- Produced by
- Kevin Feige
- Starring
- Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o, Danai Gurira
T’Challa’s rule is challenged by Killmonger, who seeks to weaponise Wakanda’s power. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Fantastic Four #52–53; Jungle Action #6–18; Black Panther #1–12 (1998)
Connection: Origin and Killmonger synthesis
78. Avengers: Infinity War (2018)
Marvel- Director
- Anthony Russo, Joe Russo
- Produced by
- Kevin Feige
- Starring
- Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans
Thanos hunts the Infinity Stones while divided heroes try to stop universal annihilation. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Infinity Gauntlet #1–6; Thanos Quest #1–2; Infinity #1–6
Connection: Major event synthesis
79. Deadpool 2 (2018)
Marvel- Director
- David Leitch
- Produced by
- Simon Kinberg, Ryan Reynolds, Lauren Shuler Donner
- Starring
- Ryan Reynolds, Josh Brolin, Morena Baccarin, Julian Dennison
Wade protects a mutant boy from time-travelling soldier Cable and forms X-Force. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: New Mutants #87, #98; Cable #1–4; X-Force #1; Uncanny X-Force #1–4
Connection: Character/team synthesis
80. Ant-Man and the Wasp (2018)
Marvel- Director
- Peyton Reed
- Produced by
- Kevin Feige, Stephen Broussard
- Starring
- Paul Rudd, Evangeline Lilly, Michael Peña, Walton Goggins
Scott helps Hope and Hank rescue Janet from the Quantum Realm while pursued by Ghost. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Tales to Astonish #44; Avengers #195–196; Iron Man #219–221
Connection: Character synthesis; original rescue plot
81. Venom (2018)
Marvel- Director
- Ruben Fleischer
- Produced by
- Avi Arad, Matt Tolmach, Amy Pascal
- Starring
- Tom Hardy, Michelle Williams, Riz Ahmed, Scott Haze
Reporter Eddie Brock bonds with an alien symbiote and fights a more violent offspring. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.
Comic connections: The Amazing Spider-Man #300; Venom: Lethal Protector #1–6; Planet of the Symbiotes #1–5
Connection: Lethal Protector-inspired
82. Aquaman (2018)
DC- Director
- James Wan
- Produced by
- Peter Safran, Rob Cowan
- Starring
- Jason Momoa, Amber Heard, Willem Dafoe, Patrick Wilson
Arthur must claim Atlantis’s throne and stop Orm from waging war on the surface. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Adventure Comics #260; Aquaman #1–6 (2011, The Trench); Throne of Atlantis (Aquaman #14–16, Justice League #15–17)
Connection: New 52 Aquaman synthesis
83. Captain Marvel (2019)
Marvel- Director
- Anna Boden, Ryan Fleck
- Produced by
- Kevin Feige
- Starring
- Brie Larson, Samuel L. Jackson, Ben Mendelsohn, Djimon Hounsou
Vers discovers her human past and the truth behind a Kree–Skrull war. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Marvel Super-Heroes #12–13; Ms. Marvel #1; Captain Marvel #1–6 (2012); The Kree-Skrull War (Avengers #89–97)
Connection: Carol origin and cosmic-war synthesis
84. Avengers: Endgame (2019)
Marvel- Director
- Anthony Russo, Joe Russo
- Produced by
- Kevin Feige
- Starring
- Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth
The surviving Avengers attempt a time-travel heist to reverse Thanos’s victory. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Infinity Gauntlet #1–6; Avengers Forever #1–12; Infinity #1–6
Connection: Original sequel drawing on event concepts
85. Dark Phoenix (2019)
Marvel- Director
- Simon Kinberg
- Produced by
- Simon Kinberg, Hutch Parker, Lauren Shuler Donner, Todd Hallowell
- Starring
- James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult
Jean Grey’s cosmic power destabilises her and divides the X-Men. The feature condenses the principal comic storyline for the screen, retaining its central conflict while combining characters and events into a single film. It also preserves the emotional stakes and defining choices that made the source memorable.
Comic connections: Uncanny X-Men #101–108, #129–137 (Dark Phoenix Saga)
Connection: Direct/close adaptation, substantially compressed
86. Spider-Man: Far From Home (2019)
Marvel- Director
- Jon Watts
- Produced by
- Kevin Feige, Amy Pascal
- Starring
- Tom Holland, Samuel L. Jackson, Zendaya, Cobie Smulders
Peter’s European trip is hijacked by Mysterio and elemental threats after Tony Stark’s death. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: The Amazing Spider-Man #13; Amazing Spider-Man #311; Spider-Men #1–5
Connection: Mysterio character synthesis
87. Shazam! (2019)
DC- Director
- David F. Sandberg
- Produced by
- Peter Safran
- Starring
- Zachary Levi, Mark Strong, Asher Angel, Jack Dylan Grazer
Teen Billy Batson gains magical powers and learns heroism through his foster family. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Whiz Comics #2; Shazam! #1–6 (2013); Superman/Shazam!: First Thunder #1–4
Connection: New 52 origin adaptation
88. Joker (2019)
DC- Director
- Todd Phillips
- Produced by
- Todd Phillips, Bradley Cooper, Emma Tillinger Koskoff
- Starring
- Joaquin Phoenix, Robert De Niro, Zazie Beetz, Frances Conroy
Isolated Arthur Fleck descends into violence and becomes a symbol of Gotham’s unrest. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Batman #1; The Killing Joke; The Dark Knight Returns #1–4
Connection: Character/tonal influence; original origin
2020s
89. The New Mutants (2020)
Marvel- Director
- Josh Boone
- Produced by
- Simon Kinberg, Lauren Shuler Donner, Karen Rosenfelt
- Starring
- Maisie Williams, Anya Taylor-Joy, Charlie Heaton, Alice Braga
Five young mutants trapped in a facility confront manifestations of their fears. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.
Comic connections: Marvel Graphic Novel #4; New Mutants #18–20 (Demon Bear Saga)
Connection: Demon Bear adaptation
90. Birds of Prey (2020)
DC- Director
- Cathy Yan
- Produced by
- Margot Robbie, Bryan Unkeless, Sue Kroll
- Starring
- Margot Robbie, Mary Elizabeth Winstead, Jurnee Smollett-Bell, Rosie Perez
Harley Quinn joins several women against crime boss Roman Sionis. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Birds of Prey #1–8 (1999); Harley Quinn #1–8 (2014); Batman #386–387 (Black Mask)
Connection: Team/character synthesis
91. Wonder Woman 1984 (2020)
DC- Director
- Patty Jenkins
- Produced by
- Charles Roven, Deborah Snyder, Zack Snyder, Patty Jenkins, Gal Gadot, Stephen Jones
- Starring
- Gal Gadot, Chris Pine, Kristen Wiig, Pedro Pascal
Diana confronts Maxwell Lord and Cheetah after a wish-granting artefact distorts reality. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Wonder Woman #7 (Cheetah); Justice League #1 (1987, Maxwell Lord); Wonder Woman #170–176
Connection: Villain/character synthesis
92. Black Widow (2021)
Marvel- Director
- Cate Shortland
- Produced by
- Kevin Feige
- Starring
- Scarlett Johansson, Florence Pugh, David Harbour, O-T Fagbenle
Natasha confronts the Red Room and the surrogate family she left behind. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Black Widow: Deadly Origin #1–4; Black Widow #1–6 (2016); Inhumans #5 (Yelena debut)
Connection: Backstory/character synthesis
93. Shang-Chi and the Legend of the Ten Rings (2021)
Marvel- Director
- Destin Daniel Cretton
- Produced by
- Kevin Feige, Jonathan Schwartz
- Starring
- Simu Liu, Awkwafina, Meng'er Zhang, Fala Chen
Shang-Chi returns to his hidden family world and confronts his father’s dangerous quest. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Special Marvel Edition #15–16; Master of Kung Fu #17–19; Secret Avengers #6–10
Connection: Origin/character synthesis with major reinvention
94. Venom: Let There Be Carnage (2021)
Marvel- Director
- Andy Serkis
- Produced by
- Avi Arad, Matt Tolmach, Amy Pascal, Kelly Marcel, Tom Hardy, Hutch Parker
- Starring
- Tom Hardy, Michelle Williams, Naomie Harris, Reid Scott
Eddie and Venom face serial killer Cletus Kasady after he bonds with Carnage. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: The Amazing Spider-Man #361–363; Maximum Carnage #1–14; Venom: Carnage Unleashed #1–4
Connection: Carnage-origin synthesis
95. Eternals (2021)
Marvel- Director
- Chloé Zhao
- Produced by
- Kevin Feige, Nate Moore
- Starring
- Gemma Chan, Richard Madden, Kumail Nanjiani, Lia McHugh
Immortal beings reunite after centuries to stop Deviants and uncover their true purpose. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Eternals #1–19 and Annual #1 (1976); Eternals #1–12 (2006)
Connection: Kirby/Gaiman mythology synthesis
96. Spider-Man: No Way Home (2021)
Marvel- Director
- Jon Watts
- Produced by
- Kevin Feige, Amy Pascal
- Starring
- Tom Holland, Zendaya, Benedict Cumberbatch, Jacob Batalon
A failed spell exposes Peter’s identity crisis to villains and heroes from other universes. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Amazing Spider-Man #24; One More Day (#544–545, Friendly Neighborhood #24, Sensational #41); Spider-Verse #1–2
Connection: Loose identity-reset and multiverse synthesis
97. Zack Snyder’s Justice League (2021)
DC- Director
- Zack Snyder
- Produced by
- Charles Roven, Deborah Snyder
- Starring
- Ben Affleck, Henry Cavill, Gal Gadot, Ray Fisher
Batman and Wonder Woman unite Earth’s heroes against Steppenwolf and Darkseid’s invasion. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Justice League #1–6 (2011, Origin); New Gods #1; Final Crisis #1–7; The Death of Superman
Connection: Team/Fourth World synthesis
98. The Suicide Squad (2021)
DC- Director
- James Gunn
- Produced by
- Charles Roven, Peter Safran
- Starring
- Margot Robbie, Idris Elba, John Cena, Joel Kinnaman
A new Task Force X invades Corto Maltese and uncovers Project Starfish. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.
Comic connections: The Brave and the Bold #25; Suicide Squad #1–8 (1987); JLA #22–23 (Starro)
Connection: Silver Age mission plus Ostrander-era team
99. Morbius (2022)
Marvel- Director
- Daniel Espinosa
- Produced by
- Avi Arad, Matt Tolmach, Lucas Foster
- Starring
- Jared Leto, Matt Smith, Adria Arjona, Jared Harris
A doctor’s cure for a blood disease turns him into a living vampire. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: The Amazing Spider-Man #101–102; Adventure into Fear #20–31; Morbius #1–9 (1992)
Connection: Origin synthesis
100. Doctor Strange in the Multiverse of Madness (2022)
Marvel- Director
- Sam Raimi
- Produced by
- Kevin Feige
- Starring
- Benedict Cumberbatch, Elizabeth Olsen, Chiwetel Ejiofor, Benedict Wong
Strange protects America Chavez from a corrupted Wanda across collapsing realities. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Doctor Strange #48–53; Avengers: The Children’s Crusade #1–9; Young Avengers Presents #3
Connection: Character/multiverse synthesis
101. Thor: Love and Thunder (2022)
Marvel- Director
- Taika Waititi
- Produced by
- Kevin Feige, Brad Winderbaum
- Starring
- Chris Hemsworth, Christian Bale, Tessa Thompson, Jaimie Alexander
Thor reunites with Jane Foster, now the Mighty Thor, against the god-killer Gorr. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Thor: God of Thunder #1–11; Mighty Thor #1–23 (2015); Thor #1–8 (2014)
Connection: Two Jason Aaron arcs combined
102. Black Panther: Wakanda Forever (2022)
Marvel- Director
- Ryan Coogler
- Produced by
- Kevin Feige, Nate Moore
- Starring
- Letitia Wright, Lupita Nyong'o, Danai Gurira, Winston Duke
Wakanda grieves T’Challa and clashes with Namor’s hidden undersea nation. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Fantastic Four #4; Black Panther: World of Wakanda #1–6; Doomwar #1–6
Connection: Namor/Wakanda character synthesis
103. The Batman (2022)
DC- Director
- Matt Reeves
- Produced by
- Dylan Clark, Matt Reeves
- Starring
- Robert Pattinson, Zoë Kravitz, Paul Dano, Jeffrey Wright
A second-year Batman hunts the Riddler through a conspiracy rooted in Gotham’s elite. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Batman: Year One #404–407; The Long Halloween #1–13; Batman: Ego; Zero Year #21–27
Connection: Detective-noir synthesis
104. Black Adam (2022)
DC- Director
- Jaume Collet-Serra
- Produced by
- Beau Flynn, Hiram Garcia, Dwayne Johnson, Dany Garcia
- Starring
- Dwayne Johnson, Aldis Hodge, Noah Centineo, Sarah Shahi
Ancient champion Teth-Adam awakens and violently challenges foreign control of Kahndaq. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: The Marvel Family #1; JSA #21–25; 52 #1–52; Black Adam: The Dark Age #1–6
Connection: Modern antihero/Kahndaq synthesis
105. Ant-Man and the Wasp: Quantumania (2023)
Marvel- Director
- Peyton Reed
- Produced by
- Kevin Feige, Stephen Broussard
- Starring
- Paul Rudd, Evangeline Lilly, Jonathan Majors, Kathryn Newton
The Ant-family is trapped in the Quantum Realm and confronts Kang the Conqueror. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Avengers #8; Fantastic Four #19; Young Avengers #1–6; Kang Dynasty (Avengers #41–55)
Connection: Kang character synthesis
106. Guardians of the Galaxy Vol. 3 (2023)
Marvel- Director
- James Gunn
- Produced by
- Kevin Feige
- Starring
- Chris Pratt, Zoe Saldaña, Dave Bautista, Karen Gillan
The Guardians race to save Rocket and confront the creator who engineered him. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Rocket Raccoon #1–4 (1985); Annihilators #1–4; Guardians of the Galaxy #1–6 (2008)
Connection: Rocket backstory synthesis
107. The Marvels (2023)
Marvel- Director
- Nia DaCosta
- Produced by
- Kevin Feige
- Starring
- Brie Larson, Teyonah Parris, Iman Vellani, Zawe Ashton
Carol Danvers, Monica Rambeau and Kamala Khan become entangled and must stop a Kree revolutionary. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Ms. Marvel #1 (1977); Amazing Spider-Man Annual #16; Captain Marvel #14–17 (2013); Ms. Marvel #1–5 (2014)
Connection: Three-hero character synthesis
108. Shazam! Fury of the Gods (2023)
DC- Director
- David F. Sandberg
- Produced by
- Peter Safran
- Starring
- Zachary Levi, Asher Angel, Jack Dylan Grazer, Rachel Zegler
Billy’s foster-family heroes battle the daughters of Atlas over stolen divine power. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Shazam! #1–6 (2013); The Power of Shazam! #1–4; original daughters of Atlas
Connection: Character/family continuation; mostly original plot
109. The Flash (2023)
DC- Director
- Andy Muschietti
- Produced by
- Barbara Muschietti, Michael Disco
- Starring
- Ezra Miller, Sasha Calle, Michael Shannon, Ron Livingston
Barry alters the past to save his mother and creates a collapsing alternate reality. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.
Comic connections: Flashpoint #1–5; The Flash #275–284; Batman #21 (The Button)
Connection: Loose Flashpoint adaptation
110. Blue Beetle (2023)
DC- Director
- Ángel Manuel Soto
- Produced by
- John Rickard, Zev Foreman
- Starring
- Xolo Maridueña, Adriana Barraza, Damián Alcázar, Raoul Max Trujillo
Jaime Reyes bonds with an alien scarab and defends his family from its corporate owners. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Infinite Crisis #3–5; Blue Beetle #1–6 (2006); Blue Beetle #0–4 (2011)
Connection: Jaime origin adaptation
111. Aquaman and the Lost Kingdom (2023)
DC- Director
- James Wan
- Produced by
- Peter Safran, James Wan, Rob Cowan
- Starring
- Jason Momoa, Patrick Wilson, Amber Heard, Yahya Abdul-Mateen II
Arthur allies with Orm to stop Black Manta using a cursed ancient power. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Aquaman #35 (Black Manta); Aquaman #7–13 (2016, Black Manta); Aquaman #0–6 (2011)
Connection: Villain/Atlantis synthesis
112. Madame Web (2024)
Marvel- Director
- S. J. Clarkson
- Produced by
- Lorenzo di Bonaventura
- Starring
- Dakota Johnson, Sydney Sweeney, Isabela Merced, Celeste O'Connor
A paramedic with clairvoyant powers protects three young women from a future-seeing killer. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: The Amazing Spider-Man #210; #229–230; Spider-Woman #1–4 (2020)
Connection: Character synthesis; largely original plot
113. Deadpool & Wolverine (2024)
Marvel- Director
- Shawn Levy
- Produced by
- Kevin Feige, Lauren Shuler Donner, Ryan Reynolds, Shawn Levy
- Starring
- Ryan Reynolds, Hugh Jackman, Emma Corrin, Morena Baccarin
Deadpool recruits a broken Wolverine to save his timeline from erasure. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Deadpool Kills the Marvel Universe #1–4; Old Man Logan #1–5 (2015); Deadpool #27 (2014)
Connection: Multiverse/character synthesis
114. Venom: The Last Dance (2024)
Marvel- Director
- Kelly Marcel
- Produced by
- Avi Arad, Matt Tolmach, Amy Pascal, Kelly Marcel, Tom Hardy, Hutch Parker
- Starring
- Tom Hardy, Chiwetel Ejiofor, Juno Temple, Rhys Ifans
Eddie and Venom flee human and alien pursuers as their bond becomes the key to a cosmic threat. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.
Comic connections: Venom #1–6 (2018); King in Black #1–5; Venom: The End #1
Connection: Knull mythology, heavily altered
115. Kraven the Hunter (2024)
Marvel- Director
- J.C. Chandor
- Produced by
- Avi Arad, Matt Tolmach, David Householter
- Starring
- Aaron Taylor-Johnson, Ariana DeBose, Fred Hechinger, Alessandro Nivola
Sergei Kravinoff becomes a superhuman hunter and turns on his criminal father’s empire. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: The Amazing Spider-Man #15; Kraven’s Last Hunt (Web #31–32, ASM #293–294, Spectacular #131–132); Kraven #1–6 (2023)
Connection: Origin reinvention; character influence
116. Joker: Folie à Deux (2024)
DC- Director
- Todd Phillips
- Produced by
- Todd Phillips, Emma Tillinger Koskoff, Joseph Garner
- Starring
- Joaquin Phoenix, Lady Gaga, Brendan Gleeson, Catherine Keener
Arthur faces trial and a volatile relationship with fellow patient Lee Quinzel. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Batman Adventures #12; The Batman Adventures: Mad Love; Joker (2008 graphic novel)
Connection: Character influence; original sequel
117. Captain America: Brave New World (2025)
Marvel- Director
- Julius Onah
- Produced by
- Kevin Feige, Nate Moore
- Starring
- Anthony Mackie, Danny Ramirez, Shira Haas, Carl Lumbly
Sam Wilson uncovers a conspiracy around President Ross and a race for a powerful resource. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Captain America #25 (2014); All-New Captain America #1–6; Hulk #1–6 (2008)
Connection: Sam-as-Cap and Red Hulk synthesis
118. Thunderbolts* (2025)
Marvel- Director
- Jake Schreier
- Produced by
- Kevin Feige
- Starring
- Florence Pugh, Sebastian Stan, Wyatt Russell, Olga Kurylenko
A group of damaged antiheroes is trapped together and forced to confront a government-created superhuman crisis. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.
Comic connections: Thunderbolts #1–12 (1997); Dark Avengers #1–6; Sentry #1–5 (2000)
Connection: Team/character synthesis; not original team premise
119. The Fantastic Four: First Steps (2025)
Marvel- Director
- Matt Shakman
- Produced by
- Kevin Feige
- Starring
- Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach, Joseph Quinn
A celebrated superhero family defends its retro-futurist world from the Silver Surfer and Galactus. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: Fantastic Four #1; #48–50 (Galactus Trilogy); #242–244; Marvels #2
Connection: Galactus-era synthesis
120. Superman (2025)
DC- Director
- James Gunn
- Produced by
- Peter Safran, James Gunn
- Starring
- David Corenswet, Rachel Brosnahan, Nicholas Hoult, Edi Gathegi
Superman’s compassion is tested as Lex Luthor exploits global conflict and unleashes engineered threats. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.
Comic connections: All-Star Superman #1–12; Superman for All Seasons #1–4; Action Comics #775; Superman #4 (Krypto)
Connection: Thematic/character synthesis