MARVEL & DC UNIVERSE – MOVIE WATCHLIST

Explore 120 live-action Marvel and DC films in theatrical release order—from Superman and the Mole Men to the latest cinematic universes. Each entry includes a fuller synopsis, director, producers, main cast and the comic issues and storylines connected to the film.

1950s

1-Superman-Mole-Men

1. Superman and the Mole Men (1951)

DC
Director
Lee Sholem
Produced by
Barney Sarecky
Starring
George Reeves, Phyllis Coates, Jeff Corey, J. Farrell MacDonald

Superman protects a subterranean people from frightened townsfolk after deep drilling disturbs them. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Action Comics #1; Superman #1; original film story

Connection: Character premise; original plot

1960s

2-Batman-1966

2. Batman (1966)

DC
Director
Leslie H. Martinson
Produced by
William Dozier
Starring
Adam West, Burt Ward, Lee Meriwether, Cesar Romero

Batman and Robin battle four united villains who plan to dehydrate world leaders. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Batman #73; Batman #171; Detective Comics #359; TV-series continuity

Connection: Character/camp-era synthesis

1970s

3-Superman-1978

3. Superman (1978)

DC
Director
Richard Donner
Produced by
Pierre Spengler
Starring
Marlon Brando, Gene Hackman, Christopher Reeve, Ned Beatty

Kal-El comes to Earth, becomes Superman and faces Lex Luthor’s deadly land scheme. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Action Comics #1; Superman #1; Superman #53; Action Comics #242

Connection: Definitive origin synthesis

1980s

4. Superman II (1980)

DC
Director
Richard Lester
Produced by
Pierre Spengler
Starring
Gene Hackman, Christopher Reeve, Ned Beatty, Jackie Cooper

Superman sacrifices his powers for Lois as three Kryptonian criminals conquer Earth. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Adventure Comics #283; Superman #233–238; Action Comics #471–473

Connection: Phantom Zone villains synthesis

5. Swamp Thing (1982)

DC
Director
Wes Craven
Produced by
Benjamin Melniker, Michael E. Uslan
Starring
Louis Jourdan, Adrienne Barbeau, Ray Wise, David Hess

Scientist Alec Holland becomes a swamp creature and battles Anton Arcane. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.

Comic connections: Swamp Thing #1–10 (1972); House of Secrets #92

Connection: Early Wein/Wrightson adaptation

6. Superman III (1983)

DC
Director
Richard Lester
Produced by
Pierre Spengler
Starring
Christopher Reeve, Richard Pryor, Jackie Cooper, Marc McClure

Superman is corrupted by synthetic kryptonite while a computer genius is exploited by a tycoon. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Superman #125; World’s Finest #202; Action Comics #333

Connection: Character concepts; original plot

7. Supergirl (1984)

DC
Director
Jeannot Szwarc
Produced by
Timothy Burrill
Starring
Helen Slater, Faye Dunaway, Hart Bochner, Peter Cook

Kara travels to Earth to recover a powerful artefact and confronts the sorceress Selena. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Action Comics #252; Adventure Comics #381; Supergirl #1 (1972)

Connection: Origin/character synthesis

8. Howard the Duck (1986)

Marvel
Director
Willard Huyck
Produced by
Gloria Katz
Starring
Lea Thompson, Jeffrey Jones, Tim Robbins, Chip Zien

Howard is pulled from Duckworld to Earth and battles the Dark Overlord. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Howard the Duck #1–3 (1976); Adventure into Fear #19; Howard the Duck magazine #1

Connection: Character/origin; largely original plot

9. Superman IV: The Quest for Peace (1987)

DC
Director
Sidney J. Furie
Produced by
Menahem Golan, Yoram Globus
Starring
Christopher Reeve, Gene Hackman, Jackie Cooper, Marc McClure

Superman tries to rid Earth of nuclear weapons and battles Lex Luthor’s Nuclear Man. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Superman #129; DC Comics Presents #57; original film story

Connection: Anti-nuclear themes; original villain/plot

10. The Punisher (1989)

Marvel
Director
Mark Goldblatt
Produced by
Robert Mark Kamen
Starring
Dolph Lundgren, Louis Gossett Jr., Jeroen Krabbé, Kim Miyori

Frank Castle wages a one-man war on organised crime and reluctantly confronts the Yakuza. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.

Comic connections: The Amazing Spider-Man #129; Punisher #1–5 (1986); Punisher War Journal #1

Connection: Character and early solo-series influence

11. The Return of Swamp Thing (1989)

DC
Director
Jim Wynorski
Produced by
Benjamin Melniker, Michael E. Uslan
Starring
Louis Jourdan, Heather Locklear, Sarah Douglas, Dick Durock

Swamp Thing protects Abby Arcane from her stepfather’s monstrous experiments. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Swamp Thing #3–10 (1972); Saga of the Swamp Thing #21–27

Connection: Character synthesis with lighter tone

12. Batman (1989)

DC
Director
Tim Burton
Produced by
Jon Peters, Peter Guber
Starring
Jack Nicholson, Michael Keaton, Kim Basinger, Robert Wuhl

Batman confronts the Joker while Gotham learns of its mysterious vigilante. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.

Comic connections: Detective Comics #27; Batman #1; The Killing Joke; The Dark Knight Returns

Connection: Golden Age plus 1980s tonal influence

1990s

13. Captain America (1990)

Marvel
Director
Albert Pyun
Produced by
Menahem Golan
Starring
Matt Salinger, Ronny Cox, Ned Beatty, Darren McGavin

Steve Rogers awakens decades after fighting the Red Skull and must stop his former enemy’s global scheme. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Captain America Comics #1; Tales of Suspense #63–71; Captain America #255

Connection: Origin synthesis

14. Batman Returns (1992)

DC
Director
Tim Burton
Produced by
Denise Di Novi, Tim Burton
Starring
Michael Keaton, Danny DeVito, Michelle Pfeiffer, Christopher Walken

Batman faces the Penguin’s political revenge and Catwoman’s campaign against Max Shreck. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Detective Comics #58; Batman #1; Batman #62; Catwoman stories by Kane/Finger

Connection: Character synthesis; original plot

15. Batman Forever (1995)

DC
Director
Joel Schumacher
Produced by
Tim Burton, Peter MacGregor-Scott
Starring
Val Kilmer, Tommy Lee Jones, Jim Carrey, Nicole Kidman

Batman battles Two-Face and the Riddler while taking orphaned Dick Grayson as Robin. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Detective Comics #38, #66, #140; Batman #234; Robin: Year One #1–4

Connection: Origin/character synthesis

16. Batman & Robin (1997)

DC
Director
Joel Schumacher
Produced by
Peter MacGregor-Scott
Starring
Arnold Schwarzenegger, George Clooney, Chris O'Donnell, Uma Thurman

Batman, Robin and Batgirl oppose Mr. Freeze, Poison Ivy and Bane. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Batman #121; Batman #181; Detective Comics #359; Knightfall (Batman #491–500)

Connection: Villain and Batgirl synthesis

17. Steel (1997)

DC
Director
Kenneth Johnson
Produced by
David Salzman, Quincy Jones, Joel Simon
Starring
Shaquille O'Neal, Annabeth Gish, Richard Roundtree, Judd Nelson

Weapons engineer John Henry Irons builds armour to stop gangs using technology he designed. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Adventures of Superman #500; Steel #1–5; Reign of the Supermen

Connection: Steel origin adaptation without Superman

18. Blade (1998)

Marvel
Director
Stephen Norrington
Produced by
Peter Frankfurt, Wesley Snipes, Robert Engelman
Starring
Wesley Snipes, Stephen Dorff, Kris Kristofferson, N'Bushe Wright

A half-vampire hunter battles Deacon Frost, who plans to awaken an ancient blood god. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Tomb of Dracula #10, #13, #25; Blade: The Vampire-Hunter #1

Connection: Character/origin; original plot

2000s

19. X-Men (2000)

Marvel
Director
Bryan Singer
Produced by
Lauren Shuler Donner, Ralph Winter
Starring
Patrick Stewart, Hugh Jackman, Ian McKellen, Halle Berry

Mutants caught between Xavier’s coexistence and Magneto’s militancy race to stop forced mutation. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: X-Men #1; Uncanny X-Men #150; X-Men: God Loves, Man Kills

Connection: Broad thematic synthesis

20. Blade II (2002)

Marvel
Director
Guillermo del Toro
Produced by
Peter Frankfurt, Wesley Snipes, Patrick Palmer
Starring
Wesley Snipes, Kris Kristofferson, Ron Perlman, Leonor Varela

Blade joins an uneasy vampire strike team against the Reapers, a lethal new strain. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Blade #1–10 (1994); Nightstalkers #1; Tomb of Dracula #45–53

Connection: Character/world influence; original plot

21. Spider-Man (2002)

Marvel
Director
Sam Raimi
Produced by
Laura Ziskin, Ian Bryce
Starring
Tobey Maguire, Willem Dafoe, Kirsten Dunst, James Franco

Peter Parker gains spider-powers, faces the Green Goblin and learns the cost of responsibility. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Amazing Fantasy #15; The Amazing Spider-Man #14, #39–40, #121–122

Connection: Origin and Goblin-story synthesis

22. Daredevil (2003)

Marvel
Director
Mark Steven Johnson
Produced by
Arnon Milchan, Gary Foster, Avi Arad
Starring
Ben Affleck, Jennifer Garner, Michael Clarke Duncan, Colin Farrell

Blind lawyer Matt Murdock battles Kingpin and Bullseye while protecting Elektra. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Daredevil #1; #168–181; #227–233 (Born Again)

Connection: Frank Miller era synthesis

23. X2: X-Men United (2003)

Marvel
Director
Bryan Singer
Produced by
Lauren Shuler Donner, Ralph Winter
Starring
Patrick Stewart, Hugh Jackman, Ian McKellen, Halle Berry

Mutants unite against William Stryker, who plans to use Xavier to eradicate mutantkind. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Marvel Graphic Novel #5: God Loves, Man Kills; Uncanny X-Men #161; Weapon X (Marvel Comics Presents #72–84)

Connection: Close thematic adaptation/synthesis

24. Hulk (2003)

Marvel
Director
Ang Lee
Produced by
Gale Anne Hurd, Avi Arad, James Schamus, Larry Franco
Starring
Eric Bana, Jennifer Connelly, Sam Elliott, Josh Lucas

Bruce Banner’s trauma and gamma transformation collide with his estranged father’s experiments. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Incredible Hulk #1; #312; #377; Hulk: Gray #1–6

Connection: Origin and psychological-run influence

25. The Punisher (2004)

Marvel
Director
Jonathan Hensleigh
Produced by
Avi Arad, Gale Anne Hurd
Starring
Thomas Jane, John Travolta, Will Patton, Roy Scheider

After his family is murdered, Frank Castle dismantles crime boss Howard Saint’s empire. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: The Amazing Spider-Man #129; Punisher: Year One #1–4; Welcome Back, Frank #1–12

Connection: Origin plus story elements

26. Spider-Man 2 (2004)

Marvel
Director
Sam Raimi
Produced by
Laura Ziskin, Avi Arad
Starring
Tobey Maguire, Kirsten Dunst, James Franco, Alfred Molina

Peter’s powers falter as Doctor Octopus’s fusion experiment threatens New York. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: The Amazing Spider-Man #3, #11–12, #50; Spider-Man No More!

Connection: Close character/story synthesis

27. Blade: Trinity (2004)

Marvel
Director
David S. Goyer
Produced by
Peter Frankfurt, Wesley Snipes, David S. Goyer, Lynn Harris
Starring
Wesley Snipes, Kris Kristofferson, Jessica Biel, Ryan Reynolds

Blade is framed and joins younger hunters to stop Dracula and the vampire nation. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Tomb of Dracula #1, #10; Nightstalkers #1; Blade: Trinity tie-in #1

Connection: Character synthesis; original plot

28. Catwoman (2004)

DC
Director
Pitof
Produced by
Denise Di Novi, Edward L. McDonnell
Starring
Halle Berry, Benjamin Bratt, Lambert Wilson, Frances Conroy

Patience Phillips is resurrected with feline powers and exposes a deadly cosmetics conspiracy. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Batman #1; Detective Comics #569–570; Catwoman #1–4 (1993)

Connection: Name/concept only; largely original character

29. Elektra (2005)

Marvel
Director
Rob Bowman
Produced by
Arnon Milchan, Gary Foster, Avi Arad
Starring
Jennifer Garner, Goran Višnjić, Will Yun Lee, Cary-Hiroyuki Tagawa

Resurrected assassin Elektra protects a gifted girl from the Hand. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.

Comic connections: Daredevil #168–181; Elektra: Assassin #1–8; Elektra Lives Again

Connection: Character/Hand influence

30. Fantastic Four (2005)

Marvel
Director
Tim Story
Produced by
Avi Arad, Ralph Winter, Bernd Eichinger
Starring
Ioan Gruffudd, Jessica Alba, Chris Evans, Michael Chiklis

Four astronauts gain powers and must stop Victor Von Doom after a cosmic accident. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Fantastic Four #1, #5, #57–60; Ultimate Fantastic Four #1–6

Connection: Origin synthesis, strongly Ultimate-influenced

31. Constantine (2005)

DC
Director
Francis Lawrence
Produced by
Lauren Shuler Donner, Benjamin Melniker, Michael E. Uslan, Erwin Stoff, Lorenzo di Bonaventura, Akiva Goldsman
Starring
Keanu Reeves, Rachel Weisz, Shia LaBeouf, Tilda Swinton

Occult detective John Constantine investigates a supernatural conspiracy threatening Los Angeles. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Saga of the Swamp Thing #37–50; Hellblazer #1–9; Dangerous Habits #41–46

Connection: Hellblazer character synthesis

32. Batman Begins (2005)

DC
Director
Christopher Nolan
Produced by
Charles Roven, Emma Thomas, Larry Franco
Starring
Christian Bale, Michael Caine, Liam Neeson, Katie Holmes

Bruce Wayne trains abroad, becomes Batman and confronts Ra’s al Ghul’s attack on Gotham. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Batman: Year One #404–407; The Man Who Falls; Detective Comics #235; Batman #232

Connection: Origin synthesis

33. X-Men: The Last Stand (2006)

Marvel
Director
Brett Ratner
Produced by
Lauren Shuler Donner, Ralph Winter, Avi Arad
Starring
Hugh Jackman, Halle Berry, Ian McKellen, Famke Janssen

A mutant “cure” divides the X-Men as Jean Grey returns with destructive Phoenix power. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Uncanny X-Men #101–108 and #129–137 (Dark Phoenix Saga); Astonishing X-Men #1–6 (Gifted)

Connection: Two major arcs combined

34. Superman Returns (2006)

DC
Director
Bryan Singer
Produced by
Jon Peters, Bryan Singer, Gilbert Adler
Starring
Brandon Routh, Kate Bosworth, James Marsden, Frank Langella

Superman returns after years away and stops Lex Luthor’s continent-building scheme. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.

Comic connections: Superman #1; Whatever Happened to the Man of Tomorrow? #423/Action #583; Kingdom Come #1–4

Connection: Reeve-film sequel with comics influence

35. Ghost Rider (2007)

Marvel
Director
Mark Steven Johnson
Produced by
Avi Arad, Steven Paul, Michael De Luca, Gary Foster
Starring
Nicolas Cage, Eva Mendes, Wes Bentley, Sam Elliott

Stunt rider Johnny Blaze becomes the Devil’s bounty hunter and fights Blackheart. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Marvel Spotlight #5–11; Ghost Rider #1 (1973); Ghost Rider #68–81

Connection: Origin/character synthesis

36. Spider-Man 3 (2007)

Marvel
Director
Sam Raimi
Produced by
Laura Ziskin, Avi Arad, Grant Curtis
Starring
Tobey Maguire, Kirsten Dunst, James Franco, Thomas Haden Church

Peter’s alien suit amplifies his anger while Sandman and Venom threaten his life. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: The Amazing Spider-Man #4; Secret Wars #8; The Amazing Spider-Man #252–259, #300

Connection: Sandman and symbiote arcs combined

37. Fantastic Four: Rise of the Silver Surfer (2007)

Marvel
Director
Tim Story
Produced by
Avi Arad, Bernd Eichinger, Ralph Winter
Starring
Ioan Gruffudd, Jessica Alba, Chris Evans, Michael Chiklis

The Four confront the Silver Surfer and a world-consuming cosmic threat while Doom returns. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.

Comic connections: Fantastic Four #48–50 (Galactus Trilogy); #57–60

Connection: Close Galactus Trilogy adaptation, heavily altered

38. Iron Man (2008)

Marvel
Director
Jon Favreau
Produced by
Avi Arad, Kevin Feige
Starring
Robert Downey Jr., Terrence Howard, Jeff Bridges, Gwyneth Paltrow

Captive weapons maker Tony Stark builds armour, escapes and turns against his own company’s abuses. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Tales of Suspense #39; Iron Man #200; Ultimate Iron Man #1–5; Iron Man: Extremis #1–6

Connection: Modernised origin synthesis

39. The Incredible Hulk (2008)

Marvel
Director
Louis Leterrier
Produced by
Avi Arad, Gale Anne Hurd, Kevin Feige
Starring
Edward Norton, Liv Tyler, Tim Roth, William Hurt

Bruce Banner seeks a cure while General Ross and the Abomination hunt him. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Incredible Hulk #1; Tales to Astonish #90–91; Incredible Hulk #25 (2001)

Connection: Origin and Abomination synthesis

40. Punisher: War Zone (2008)

Marvel
Director
Lexi Alexander
Produced by
Gale Anne Hurd
Starring
Ray Stevenson, Dominic West, Julie Benz, Colin Salmon

Frank Castle targets mobster Billy Russoti, transformed into the disfigured Jigsaw. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: The Amazing Spider-Man #129; Punisher #1–5 (2000); Punisher MAX #1–12

Connection: MAX-era tone; character synthesis

41. The Dark Knight (2008)

DC
Director
Christopher Nolan
Produced by
Emma Thomas, Charles Roven, Christopher Nolan
Starring
Christian Bale, Michael Caine, Heath Ledger, Gary Oldman

Batman, Gordon and Harvey Dent face the Joker’s campaign to corrupt Gotham. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: The Long Halloween #1–13; Batman #1; The Killing Joke; The Man Who Laughs

Connection: Crime-saga synthesis

42. X-Men Origins: Wolverine (2009)

Marvel
Director
Gavin Hood
Produced by
Lauren Shuler Donner, Ralph Winter, Hugh Jackman, John Palermo
Starring
Hugh Jackman, Liev Schreiber, Danny Huston, Dominic Monaghan

Logan’s violent history with Victor Creed leads him into Stryker’s Weapon X programme. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Origin #1–6; Weapon X (Marvel Comics Presents #72–84); Wolverine #10

Connection: Backstory synthesis

43. Watchmen (2009)

DC
Director
Zack Snyder
Produced by
Lawrence Gordon, Lloyd Levin, Deborah Snyder
Starring
Malin Åkerman, Billy Crudup, Matthew Goode, Carla Gugino

Former masked heroes investigate a murder and uncover a plot meant to reshape world history. The feature condenses the principal comic storyline for the screen, retaining its central conflict while combining characters and events into a single film. It also preserves the emotional stakes and defining choices that made the source memorable.

Comic connections: Watchmen #1–12

Connection: Direct/close adaptation

2010s

44. Iron Man 2 (2010)

Marvel
Director
Jon Favreau
Produced by
Kevin Feige
Starring
Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Scarlett Johansson

Tony faces government pressure, poisoning and Ivan Vanko’s revenge while building a new element. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Iron Man #120–128 (Demon in a Bottle); #225–232 (Armor Wars); Tales of Suspense #97–99

Connection: Loose synthesis

45. Jonah Hex (2010)

DC
Director
Jimmy Hayward
Produced by
Akiva Goldsman, Andrew Lazar
Starring
Josh Brolin, John Malkovich, Megan Fox, Michael Fassbender

A scarred bounty hunter with supernatural abilities hunts the terrorist who murdered his family. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: All-Star Western #10; Weird Western Tales #14–38; Jonah Hex: Two-Gun Mojo #1–5

Connection: Character synthesis; original plot

46. Thor (2011)

Marvel
Director
Kenneth Branagh
Produced by
Kevin Feige
Starring
Chris Hemsworth, Natalie Portman, Tom Hiddleston, Stellan Skarsgård

The arrogant Thor is exiled to Earth and must become worthy before Loki seizes Asgard. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Journey into Mystery #83–85; Thor #159; Thor #364–366

Connection: Origin synthesis

47. X-Men: First Class (2011)

Marvel
Director
Matthew Vaughn
Produced by
Lauren Shuler Donner, Bryan Singer, Simon Kinberg, Gregory Goodman
Starring
James McAvoy, Michael Fassbender, Jennifer Lawrence, Rose Byrne

Young Xavier and Magneto form the first X-Men during the Cuban Missile Crisis, then fracture ideologically. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: X-Men #1; X-Men: First Class #1–8; Uncanny X-Men #161

Connection: Character/history synthesis

48. Captain America: The First Avenger (2011)

Marvel
Director
Joe Johnston
Produced by
Kevin Feige
Starring
Chris Evans, Tommy Lee Jones, Hugo Weaving, Hayley Atwell

Steve Rogers becomes a super-soldier and fights Hydra during the Second World War. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Captain America Comics #1; Tales of Suspense #63–71; Captain America #255

Connection: Origin synthesis

49. Ghost Rider: Spirit of Vengeance (2011)

Marvel
Director
Mark Neveldine, Brian Taylor
Produced by
Steven Paul, Ashok Amritraj, Michael De Luca, Avi Arad, Ari Arad
Starring
Nicolas Cage, Ciarán Hinds, Violante Placido, Johnny Whitworth

Johnny Blaze tries to save a boy from becoming the Devil’s vessel. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.

Comic connections: Marvel Spotlight #5; Ghost Rider #68–81; Spirits of Vengeance #1

Connection: Character/world influence

50. Green Lantern (2011)

DC
Director
Martin Campbell
Produced by
Donald De Line, Greg Berlanti, Geoff Johns
Starring
Ryan Reynolds, Blake Lively, Peter Sarsgaard, Mark Strong

Test pilot Hal Jordan joins an intergalactic corps and faces the fear entity Parallax. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Showcase #22; Green Lantern: Secret Origin #29–35; Emerald Twilight #48–50

Connection: Origin synthesis

51. The Avengers (2012)

Marvel
Director
Joss Whedon
Produced by
Kevin Feige
Starring
Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth

Earth’s new heroes unite when Loki uses the Tesseract to invade New York. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.

Comic connections: Avengers #1; Ultimates #1–6; Ultimates 2 #1–13

Connection: Team formation, heavily Ultimate-influenced

52. The Amazing Spider-Man (2012)

Marvel
Director
Marc Webb
Produced by
Laura Ziskin, Avi Arad, Matt Tolmach
Starring
Andrew Garfield, Emma Stone, Rhys Ifans, Denis Leary

Peter investigates his parents’ disappearance, gains powers and battles the Lizard. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Amazing Fantasy #15; The Amazing Spider-Man #6; Ultimate Spider-Man #1–13

Connection: Origin synthesis

53. The Dark Knight Rises (2012)

DC
Director
Christopher Nolan
Produced by
Emma Thomas, Christopher Nolan, Charles Roven
Starring
Christian Bale, Michael Caine, Gary Oldman, Anne Hathaway

A broken Bruce Wayne returns when Bane seizes Gotham and exposes its buried lies. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.

Comic connections: Knightfall (Batman #491–500); No Man’s Land; The Dark Knight Returns

Connection: Major Batman arcs synthesized

54. Iron Man 3 (2013)

Marvel
Director
Shane Black
Produced by
Kevin Feige
Starring
Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Guy Pearce

Tony confronts trauma, the Mandarin myth and Extremis-enhanced soldiers. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.

Comic connections: Iron Man: Extremis #1–6; Iron Man #200; Tales of Suspense #50

Connection: Extremis adaptation with Mandarin reinvention

55. The Wolverine (2013)

Marvel
Director
James Mangold
Produced by
Lauren Shuler Donner, Hutch Parker
Starring
Hugh Jackman, Tao Okamoto, Rila Fukushima, Hiroyuki Sanada

Haunted Logan travels to Japan and is offered mortality amid a clan war. The feature condenses the principal comic storyline for the screen, retaining its central conflict while combining characters and events into a single film. It also preserves the emotional stakes and defining choices that made the source memorable.

Comic connections: Wolverine #1–4 (1982); Uncanny X-Men #172–173

Connection: Close adaptation of Miller/Claremont Japan saga

56. Thor: The Dark World (2013)

Marvel
Director
Alan Taylor
Produced by
Kevin Feige
Starring
Chris Hemsworth, Natalie Portman, Tom Hiddleston, Stellan Skarsgård

Thor fights Malekith, who seeks to plunge the cosmos into darkness with the Aether. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.

Comic connections: Thor #344–349; Thor #363–366

Connection: Simonson-era character influence

57. Man of Steel (2013)

DC
Director
Zack Snyder
Produced by
Charles Roven, Christopher Nolan, Emma Thomas, Deborah Snyder
Starring
Henry Cavill, Amy Adams, Michael Shannon, Kevin Costner

Clark Kent reveals himself to defend Earth from General Zod’s Kryptonian invasion. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Action Comics #1; Superman: Birthright #1–12; Superman: Secret Origin #1–6; Earth One #1

Connection: Modern origin synthesis

58. Captain America: The Winter Soldier (2014)

Marvel
Director
Anthony Russo, Joe Russo
Produced by
Kevin Feige
Starring
Chris Evans, Scarlett Johansson, Sebastian Stan, Anthony Mackie

Steve uncovers Hydra inside S.H.I.E.L.D. and learns the Winter Soldier’s identity. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Captain America #1–9, #11–14 (2005); Strange Tales #135–145; Secret Warriors #1–6

Connection: Winter Soldier plus S.H.I.E.L.D. conspiracy synthesis

59. The Amazing Spider-Man 2 (2014)

Marvel
Director
Marc Webb
Produced by
Avi Arad, Matt Tolmach
Starring
Andrew Garfield, Emma Stone, Jamie Foxx, Dane DeHaan

Peter faces Electro, Harry Osborn and the consequences of the promise he made to Gwen’s father. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: The Amazing Spider-Man #9; #121–122; Ultimate Spider-Man #74–85

Connection: Electro and Death of Gwen Stacy synthesis

60. X-Men: Days of Future Past (2014)

Marvel
Director
Bryan Singer
Produced by
Bryan Singer, Lauren Shuler Donner, Simon Kinberg, Hutch Parker
Starring
Hugh Jackman, James McAvoy, Michael Fassbender, Jennifer Lawrence

Wolverine travels to 1973 to prevent an assassination that creates a Sentinel-ruled future. The feature condenses the principal comic storyline for the screen, retaining its central conflict while combining characters and events into a single film. It also preserves the emotional stakes and defining choices that made the source memorable.

Comic connections: Uncanny X-Men #141–142; Wolverine #73–74

Connection: Close adaptation with changed cast/time mechanics

61. Guardians of the Galaxy (2014)

Marvel
Director
James Gunn
Produced by
Kevin Feige
Starring
Chris Pratt, Zoe Saldaña, Dave Bautista, Vin Diesel

Five cosmic misfits unite to stop Ronan from using an Infinity Stone to destroy Xandar. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Annihilation: Conquest #1–6; Guardians of the Galaxy #1–6 (2008); Marvel Super-Heroes #18

Connection: Team/Annihilation-era synthesis

62. Avengers: Age of Ultron (2015)

Marvel
Director
Joss Whedon
Produced by
Kevin Feige
Starring
Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans

Tony’s peacekeeping AI turns genocidal, forcing the Avengers to confront their own fractures. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Avengers #54–55; Avengers #57–58; Age of Ultron #1–10; Ultron Unlimited (Avengers #19–22)

Connection: Ultron character synthesis, not close to event comic

63. Ant-Man (2015)

Marvel
Director
Peyton Reed
Produced by
Kevin Feige
Starring
Paul Rudd, Evangeline Lilly, Corey Stoll, Bobby Cannavale

Thief Scott Lang uses Hank Pym’s shrinking suit to pull off a high-stakes heist. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Tales to Astonish #27, #35; Marvel Premiere #47–48; To Steal an Ant-Man!

Connection: Scott Lang origin adaptation

64. Fantastic Four (2015)

Marvel
Director
Josh Trank
Produced by
Matthew Vaughn, Simon Kinberg, Gregory Goodman, Hutch Parker, Robert Kulzer
Starring
Miles Teller, Michael B. Jordan, Kate Mara, Jamie Bell

Young explorers enter another dimension, gain powers and confront their transformed colleague Doom. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Ultimate Fantastic Four #1–6; Fantastic Four #1; Ultimate Fantastic Four #21–23

Connection: Ultimate-origin influence

65. Deadpool (2016)

Marvel
Director
Tim Miller
Produced by
Simon Kinberg, Ryan Reynolds, Lauren Shuler Donner
Starring
Ryan Reynolds, Morena Baccarin, Ed Skrein, T.J. Miller

Mercenary Wade Wilson hunts the man who tortured him and triggered his mutant healing factor. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: New Mutants #98; Deadpool: The Circle Chase #1–4; Deadpool #1–33 (1997)

Connection: Character/voice synthesis

66. Captain America: Civil War (2016)

Marvel
Director
Anthony Russo, Joe Russo
Produced by
Kevin Feige
Starring
Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan

The Avengers split over government oversight and Bucky’s alleged crimes. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.

Comic connections: Civil War #1–7; Captain America #1–14 (2005); Amazing Spider-Man #529–538

Connection: Loose Civil War adaptation plus Winter Soldier

67. X-Men: Apocalypse (2016)

Marvel
Director
Bryan Singer
Produced by
Simon Kinberg, Bryan Singer, Hutch Parker, Lauren Shuler Donner
Starring
James McAvoy, Michael Fassbender, Jennifer Lawrence, Oscar Isaac

The ancient mutant Apocalypse recruits Horsemen while the young X-Men rally to stop him. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: X-Factor #5–6; X-Factor #24–25; Age of Apocalypse: X-Men Alpha #1

Connection: Apocalypse mythology synthesis

68. Doctor Strange (2016)

Marvel
Director
Scott Derrickson
Produced by
Kevin Feige
Starring
Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, Benedict Wong

Injured surgeon Stephen Strange learns mystic arts and confronts Dormammu’s Dark Dimension. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Strange Tales #110–111, #114–146; Doctor Strange: The Oath #1–5

Connection: Origin synthesis

69. Batman v Superman: Dawn of Justice – Ultimate Edition (2016)

DC
Director
Zack Snyder
Produced by
Charles Roven, Deborah Snyder
Starring
Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg

Batman targets Superman as Lex Luthor engineers their conflict and unleashes Doomsday. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.

Comic connections: The Dark Knight Returns #1–4; The Death of Superman (Superman #75); Superman: Birthright #1–12

Connection: Multiple landmark arcs synthesized

70. Suicide Squad (2016)

DC
Director
David Ayer
Produced by
Charles Roven, Richard Suckle
Starring
Will Smith, Jared Leto, Margot Robbie, Joel Kinnaman

Imprisoned villains are recruited for a black-ops mission against a supernatural threat. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Legends #3; Suicide Squad #1–8 (1987); New 52 Suicide Squad #1–7

Connection: Team synthesis

71. Logan (2017)

Marvel
Director
James Mangold
Produced by
Hutch Parker, Simon Kinberg, Lauren Shuler Donner
Starring
Hugh Jackman, Patrick Stewart, Richard E. Grant, Boyd Holbrook

An ageing, poisoned Wolverine escorts a young mutant across a hostile near-future. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.

Comic connections: Wolverine #66–72 and Giant-Size Old Man Logan #1; X-23 #1–6; Death of Wolverine #1–4

Connection: Loose Old Man Logan premise; X-23 influence

72. Guardians of the Galaxy Vol. 2 (2017)

Marvel
Director
James Gunn
Produced by
Kevin Feige
Starring
Chris Pratt, Zoe Saldaña, Dave Bautista, Vin Diesel

Peter meets his celestial father as the Guardians test what family means. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Marvel Preview #4, #11; Guardians of the Galaxy #1–6 (2008); Ego stories in Thor #132–133

Connection: Character synthesis; original plot

73. Spider-Man: Homecoming (2017)

Marvel
Director
Jon Watts
Produced by
Kevin Feige, Amy Pascal
Starring
Tom Holland, Michael Keaton, Jon Favreau, Gwyneth Paltrow

Teenage Peter balances school and heroism while pursuing the Vulture’s weapons ring. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: The Amazing Spider-Man #2; Ultimate Spider-Man #1–13; Amazing Spider-Man #271

Connection: Character synthesis

74. Thor: Ragnarok (2017)

Marvel
Director
Taika Waititi
Produced by
Kevin Feige
Starring
Chris Hemsworth, Tom Hiddleston, Cate Blanchett, Idris Elba

Thor, Hulk and Valkyrie escape Sakaar to stop Hela and the destruction of Asgard. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Thor #337–382; Incredible Hulk #92–105 (Planet Hulk); Thor #127–128 (Ragnarok)

Connection: Planet Hulk and Ragnarok synthesis

75. Wonder Woman (2017)

DC
Director
Patty Jenkins
Produced by
Charles Roven, Deborah Snyder, Zack Snyder, Richard Suckle
Starring
Gal Gadot, Chris Pine, Robin Wright, Danny Huston

Diana leaves Themyscira during the First World War to stop Ares’s influence on humanity. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: All Star Comics #8; Wonder Woman #1; Gods and Mortals #1–7; The Legend of Wonder Woman #1–9

Connection: Origin synthesis

76. Justice League (2017)

DC
Director
Zack Snyder
Produced by
Charles Roven, Deborah Snyder, Jon Berg, Geoff Johns
Starring
Ben Affleck, Henry Cavill, Gal Gadot, Ezra Miller

Batman and Wonder Woman assemble heroes to stop Steppenwolf after Superman’s death. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Justice League of America #1; New 52 Justice League #1–6 (Origin); Fourth World/New Gods #1

Connection: Team and Fourth World synthesis

77. Black Panther (2018)

Marvel
Director
Ryan Coogler
Produced by
Kevin Feige
Starring
Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o, Danai Gurira

T’Challa’s rule is challenged by Killmonger, who seeks to weaponise Wakanda’s power. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Fantastic Four #52–53; Jungle Action #6–18; Black Panther #1–12 (1998)

Connection: Origin and Killmonger synthesis

78. Avengers: Infinity War (2018)

Marvel
Director
Anthony Russo, Joe Russo
Produced by
Kevin Feige
Starring
Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans

Thanos hunts the Infinity Stones while divided heroes try to stop universal annihilation. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Infinity Gauntlet #1–6; Thanos Quest #1–2; Infinity #1–6

Connection: Major event synthesis

79. Deadpool 2 (2018)

Marvel
Director
David Leitch
Produced by
Simon Kinberg, Ryan Reynolds, Lauren Shuler Donner
Starring
Ryan Reynolds, Josh Brolin, Morena Baccarin, Julian Dennison

Wade protects a mutant boy from time-travelling soldier Cable and forms X-Force. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: New Mutants #87, #98; Cable #1–4; X-Force #1; Uncanny X-Force #1–4

Connection: Character/team synthesis

80. Ant-Man and the Wasp (2018)

Marvel
Director
Peyton Reed
Produced by
Kevin Feige, Stephen Broussard
Starring
Paul Rudd, Evangeline Lilly, Michael Peña, Walton Goggins

Scott helps Hope and Hank rescue Janet from the Quantum Realm while pursued by Ghost. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Tales to Astonish #44; Avengers #195–196; Iron Man #219–221

Connection: Character synthesis; original rescue plot

81. Venom (2018)

Marvel
Director
Ruben Fleischer
Produced by
Avi Arad, Matt Tolmach, Amy Pascal
Starring
Tom Hardy, Michelle Williams, Riz Ahmed, Scott Haze

Reporter Eddie Brock bonds with an alien symbiote and fights a more violent offspring. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.

Comic connections: The Amazing Spider-Man #300; Venom: Lethal Protector #1–6; Planet of the Symbiotes #1–5

Connection: Lethal Protector-inspired

82. Aquaman (2018)

DC
Director
James Wan
Produced by
Peter Safran, Rob Cowan
Starring
Jason Momoa, Amber Heard, Willem Dafoe, Patrick Wilson

Arthur must claim Atlantis’s throne and stop Orm from waging war on the surface. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Adventure Comics #260; Aquaman #1–6 (2011, The Trench); Throne of Atlantis (Aquaman #14–16, Justice League #15–17)

Connection: New 52 Aquaman synthesis

83. Captain Marvel (2019)

Marvel
Director
Anna Boden, Ryan Fleck
Produced by
Kevin Feige
Starring
Brie Larson, Samuel L. Jackson, Ben Mendelsohn, Djimon Hounsou

Vers discovers her human past and the truth behind a Kree–Skrull war. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Marvel Super-Heroes #12–13; Ms. Marvel #1; Captain Marvel #1–6 (2012); The Kree-Skrull War (Avengers #89–97)

Connection: Carol origin and cosmic-war synthesis

84. Avengers: Endgame (2019)

Marvel
Director
Anthony Russo, Joe Russo
Produced by
Kevin Feige
Starring
Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth

The surviving Avengers attempt a time-travel heist to reverse Thanos’s victory. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Infinity Gauntlet #1–6; Avengers Forever #1–12; Infinity #1–6

Connection: Original sequel drawing on event concepts

85. Dark Phoenix (2019)

Marvel
Director
Simon Kinberg
Produced by
Simon Kinberg, Hutch Parker, Lauren Shuler Donner, Todd Hallowell
Starring
James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult

Jean Grey’s cosmic power destabilises her and divides the X-Men. The feature condenses the principal comic storyline for the screen, retaining its central conflict while combining characters and events into a single film. It also preserves the emotional stakes and defining choices that made the source memorable.

Comic connections: Uncanny X-Men #101–108, #129–137 (Dark Phoenix Saga)

Connection: Direct/close adaptation, substantially compressed

86. Spider-Man: Far From Home (2019)

Marvel
Director
Jon Watts
Produced by
Kevin Feige, Amy Pascal
Starring
Tom Holland, Samuel L. Jackson, Zendaya, Cobie Smulders

Peter’s European trip is hijacked by Mysterio and elemental threats after Tony Stark’s death. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: The Amazing Spider-Man #13; Amazing Spider-Man #311; Spider-Men #1–5

Connection: Mysterio character synthesis

87. Shazam! (2019)

DC
Director
David F. Sandberg
Produced by
Peter Safran
Starring
Zachary Levi, Mark Strong, Asher Angel, Jack Dylan Grazer

Teen Billy Batson gains magical powers and learns heroism through his foster family. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Whiz Comics #2; Shazam! #1–6 (2013); Superman/Shazam!: First Thunder #1–4

Connection: New 52 origin adaptation

88. Joker (2019)

DC
Director
Todd Phillips
Produced by
Todd Phillips, Bradley Cooper, Emma Tillinger Koskoff
Starring
Joaquin Phoenix, Robert De Niro, Zazie Beetz, Frances Conroy

Isolated Arthur Fleck descends into violence and becomes a symbol of Gotham’s unrest. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Batman #1; The Killing Joke; The Dark Knight Returns #1–4

Connection: Character/tonal influence; original origin

2020s

89. The New Mutants (2020)

Marvel
Director
Josh Boone
Produced by
Simon Kinberg, Lauren Shuler Donner, Karen Rosenfelt
Starring
Maisie Williams, Anya Taylor-Joy, Charlie Heaton, Alice Braga

Five young mutants trapped in a facility confront manifestations of their fears. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.

Comic connections: Marvel Graphic Novel #4; New Mutants #18–20 (Demon Bear Saga)

Connection: Demon Bear adaptation

90. Birds of Prey (2020)

DC
Director
Cathy Yan
Produced by
Margot Robbie, Bryan Unkeless, Sue Kroll
Starring
Margot Robbie, Mary Elizabeth Winstead, Jurnee Smollett-Bell, Rosie Perez

Harley Quinn joins several women against crime boss Roman Sionis. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Birds of Prey #1–8 (1999); Harley Quinn #1–8 (2014); Batman #386–387 (Black Mask)

Connection: Team/character synthesis

91. Wonder Woman 1984 (2020)

DC
Director
Patty Jenkins
Produced by
Charles Roven, Deborah Snyder, Zack Snyder, Patty Jenkins, Gal Gadot, Stephen Jones
Starring
Gal Gadot, Chris Pine, Kristen Wiig, Pedro Pascal

Diana confronts Maxwell Lord and Cheetah after a wish-granting artefact distorts reality. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Wonder Woman #7 (Cheetah); Justice League #1 (1987, Maxwell Lord); Wonder Woman #170–176

Connection: Villain/character synthesis

92. Black Widow (2021)

Marvel
Director
Cate Shortland
Produced by
Kevin Feige
Starring
Scarlett Johansson, Florence Pugh, David Harbour, O-T Fagbenle

Natasha confronts the Red Room and the surrogate family she left behind. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Black Widow: Deadly Origin #1–4; Black Widow #1–6 (2016); Inhumans #5 (Yelena debut)

Connection: Backstory/character synthesis

93. Shang-Chi and the Legend of the Ten Rings (2021)

Marvel
Director
Destin Daniel Cretton
Produced by
Kevin Feige, Jonathan Schwartz
Starring
Simu Liu, Awkwafina, Meng'er Zhang, Fala Chen

Shang-Chi returns to his hidden family world and confronts his father’s dangerous quest. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Special Marvel Edition #15–16; Master of Kung Fu #17–19; Secret Avengers #6–10

Connection: Origin/character synthesis with major reinvention

94. Venom: Let There Be Carnage (2021)

Marvel
Director
Andy Serkis
Produced by
Avi Arad, Matt Tolmach, Amy Pascal, Kelly Marcel, Tom Hardy, Hutch Parker
Starring
Tom Hardy, Michelle Williams, Naomie Harris, Reid Scott

Eddie and Venom face serial killer Cletus Kasady after he bonds with Carnage. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: The Amazing Spider-Man #361–363; Maximum Carnage #1–14; Venom: Carnage Unleashed #1–4

Connection: Carnage-origin synthesis

95. Eternals (2021)

Marvel
Director
Chloé Zhao
Produced by
Kevin Feige, Nate Moore
Starring
Gemma Chan, Richard Madden, Kumail Nanjiani, Lia McHugh

Immortal beings reunite after centuries to stop Deviants and uncover their true purpose. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Eternals #1–19 and Annual #1 (1976); Eternals #1–12 (2006)

Connection: Kirby/Gaiman mythology synthesis

96. Spider-Man: No Way Home (2021)

Marvel
Director
Jon Watts
Produced by
Kevin Feige, Amy Pascal
Starring
Tom Holland, Zendaya, Benedict Cumberbatch, Jacob Batalon

A failed spell exposes Peter’s identity crisis to villains and heroes from other universes. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Amazing Spider-Man #24; One More Day (#544–545, Friendly Neighborhood #24, Sensational #41); Spider-Verse #1–2

Connection: Loose identity-reset and multiverse synthesis

97. Zack Snyder’s Justice League (2021)

DC
Director
Zack Snyder
Produced by
Charles Roven, Deborah Snyder
Starring
Ben Affleck, Henry Cavill, Gal Gadot, Ray Fisher

Batman and Wonder Woman unite Earth’s heroes against Steppenwolf and Darkseid’s invasion. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Justice League #1–6 (2011, Origin); New Gods #1; Final Crisis #1–7; The Death of Superman

Connection: Team/Fourth World synthesis

98. The Suicide Squad (2021)

DC
Director
James Gunn
Produced by
Charles Roven, Peter Safran
Starring
Margot Robbie, Idris Elba, John Cena, Joel Kinnaman

A new Task Force X invades Corto Maltese and uncovers Project Starfish. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.

Comic connections: The Brave and the Bold #25; Suicide Squad #1–8 (1987); JLA #22–23 (Starro)

Connection: Silver Age mission plus Ostrander-era team

99. Morbius (2022)

Marvel
Director
Daniel Espinosa
Produced by
Avi Arad, Matt Tolmach, Lucas Foster
Starring
Jared Leto, Matt Smith, Adria Arjona, Jared Harris

A doctor’s cure for a blood disease turns him into a living vampire. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: The Amazing Spider-Man #101–102; Adventure into Fear #20–31; Morbius #1–9 (1992)

Connection: Origin synthesis

100. Doctor Strange in the Multiverse of Madness (2022)

Marvel
Director
Sam Raimi
Produced by
Kevin Feige
Starring
Benedict Cumberbatch, Elizabeth Olsen, Chiwetel Ejiofor, Benedict Wong

Strange protects America Chavez from a corrupted Wanda across collapsing realities. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Doctor Strange #48–53; Avengers: The Children’s Crusade #1–9; Young Avengers Presents #3

Connection: Character/multiverse synthesis

101. Thor: Love and Thunder (2022)

Marvel
Director
Taika Waititi
Produced by
Kevin Feige, Brad Winderbaum
Starring
Chris Hemsworth, Christian Bale, Tessa Thompson, Jaimie Alexander

Thor reunites with Jane Foster, now the Mighty Thor, against the god-killer Gorr. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Thor: God of Thunder #1–11; Mighty Thor #1–23 (2015); Thor #1–8 (2014)

Connection: Two Jason Aaron arcs combined

102. Black Panther: Wakanda Forever (2022)

Marvel
Director
Ryan Coogler
Produced by
Kevin Feige, Nate Moore
Starring
Letitia Wright, Lupita Nyong'o, Danai Gurira, Winston Duke

Wakanda grieves T’Challa and clashes with Namor’s hidden undersea nation. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Fantastic Four #4; Black Panther: World of Wakanda #1–6; Doomwar #1–6

Connection: Namor/Wakanda character synthesis

103. The Batman (2022)

DC
Director
Matt Reeves
Produced by
Dylan Clark, Matt Reeves
Starring
Robert Pattinson, Zoë Kravitz, Paul Dano, Jeffrey Wright

A second-year Batman hunts the Riddler through a conspiracy rooted in Gotham’s elite. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Batman: Year One #404–407; The Long Halloween #1–13; Batman: Ego; Zero Year #21–27

Connection: Detective-noir synthesis

104. Black Adam (2022)

DC
Director
Jaume Collet-Serra
Produced by
Beau Flynn, Hiram Garcia, Dwayne Johnson, Dany Garcia
Starring
Dwayne Johnson, Aldis Hodge, Noah Centineo, Sarah Shahi

Ancient champion Teth-Adam awakens and violently challenges foreign control of Kahndaq. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: The Marvel Family #1; JSA #21–25; 52 #1–52; Black Adam: The Dark Age #1–6

Connection: Modern antihero/Kahndaq synthesis

105. Ant-Man and the Wasp: Quantumania (2023)

Marvel
Director
Peyton Reed
Produced by
Kevin Feige, Stephen Broussard
Starring
Paul Rudd, Evangeline Lilly, Jonathan Majors, Kathryn Newton

The Ant-family is trapped in the Quantum Realm and confronts Kang the Conqueror. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Avengers #8; Fantastic Four #19; Young Avengers #1–6; Kang Dynasty (Avengers #41–55)

Connection: Kang character synthesis

106. Guardians of the Galaxy Vol. 3 (2023)

Marvel
Director
James Gunn
Produced by
Kevin Feige
Starring
Chris Pratt, Zoe Saldaña, Dave Bautista, Karen Gillan

The Guardians race to save Rocket and confront the creator who engineered him. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Rocket Raccoon #1–4 (1985); Annihilators #1–4; Guardians of the Galaxy #1–6 (2008)

Connection: Rocket backstory synthesis

107. The Marvels (2023)

Marvel
Director
Nia DaCosta
Produced by
Kevin Feige
Starring
Brie Larson, Teyonah Parris, Iman Vellani, Zawe Ashton

Carol Danvers, Monica Rambeau and Kamala Khan become entangled and must stop a Kree revolutionary. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Ms. Marvel #1 (1977); Amazing Spider-Man Annual #16; Captain Marvel #14–17 (2013); Ms. Marvel #1–5 (2014)

Connection: Three-hero character synthesis

108. Shazam! Fury of the Gods (2023)

DC
Director
David F. Sandberg
Produced by
Peter Safran
Starring
Zachary Levi, Asher Angel, Jack Dylan Grazer, Rachel Zegler

Billy’s foster-family heroes battle the daughters of Atlas over stolen divine power. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Shazam! #1–6 (2013); The Power of Shazam! #1–4; original daughters of Atlas

Connection: Character/family continuation; mostly original plot

109. The Flash (2023)

DC
Director
Andy Muschietti
Produced by
Barbara Muschietti, Michael Disco
Starring
Ezra Miller, Sasha Calle, Michael Shannon, Ron Livingston

Barry alters the past to save his mother and creates a collapsing alternate reality. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.

Comic connections: Flashpoint #1–5; The Flash #275–284; Batman #21 (The Button)

Connection: Loose Flashpoint adaptation

110. Blue Beetle (2023)

DC
Director
Ángel Manuel Soto
Produced by
John Rickard, Zev Foreman
Starring
Xolo Maridueña, Adriana Barraza, Damián Alcázar, Raoul Max Trujillo

Jaime Reyes bonds with an alien scarab and defends his family from its corporate owners. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Infinite Crisis #3–5; Blue Beetle #1–6 (2006); Blue Beetle #0–4 (2011)

Connection: Jaime origin adaptation

111. Aquaman and the Lost Kingdom (2023)

DC
Director
James Wan
Produced by
Peter Safran, James Wan, Rob Cowan
Starring
Jason Momoa, Patrick Wilson, Amber Heard, Yahya Abdul-Mateen II

Arthur allies with Orm to stop Black Manta using a cursed ancient power. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Aquaman #35 (Black Manta); Aquaman #7–13 (2016, Black Manta); Aquaman #0–6 (2011)

Connection: Villain/Atlantis synthesis

112. Madame Web (2024)

Marvel
Director
S. J. Clarkson
Produced by
Lorenzo di Bonaventura
Starring
Dakota Johnson, Sydney Sweeney, Isabela Merced, Celeste O'Connor

A paramedic with clairvoyant powers protects three young women from a future-seeing killer. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: The Amazing Spider-Man #210; #229–230; Spider-Woman #1–4 (2020)

Connection: Character synthesis; largely original plot

113. Deadpool & Wolverine (2024)

Marvel
Director
Shawn Levy
Produced by
Kevin Feige, Lauren Shuler Donner, Ryan Reynolds, Shawn Levy
Starring
Ryan Reynolds, Hugh Jackman, Emma Corrin, Morena Baccarin

Deadpool recruits a broken Wolverine to save his timeline from erasure. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Deadpool Kills the Marvel Universe #1–4; Old Man Logan #1–5 (2015); Deadpool #27 (2014)

Connection: Multiverse/character synthesis

114. Venom: The Last Dance (2024)

Marvel
Director
Kelly Marcel
Produced by
Avi Arad, Matt Tolmach, Amy Pascal, Kelly Marcel, Tom Hardy, Hutch Parker
Starring
Tom Hardy, Chiwetel Ejiofor, Juno Temple, Rhys Ifans

Eddie and Venom flee human and alien pursuers as their bond becomes the key to a cosmic threat. The film uses the listed comics as its principal character and thematic foundation while reshaping events for a feature-length screen story. Familiar elements are reorganised to create a self-contained cinematic interpretation.

Comic connections: Venom #1–6 (2018); King in Black #1–5; Venom: The End #1

Connection: Knull mythology, heavily altered

115. Kraven the Hunter (2024)

Marvel
Director
J.C. Chandor
Produced by
Avi Arad, Matt Tolmach, David Householter
Starring
Aaron Taylor-Johnson, Ariana DeBose, Fred Hechinger, Alessandro Nivola

Sergei Kravinoff becomes a superhuman hunter and turns on his criminal father’s empire. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: The Amazing Spider-Man #15; Kraven’s Last Hunt (Web #31–32, ASM #293–294, Spectacular #131–132); Kraven #1–6 (2023)

Connection: Origin reinvention; character influence

116. Joker: Folie à Deux (2024)

DC
Director
Todd Phillips
Produced by
Todd Phillips, Emma Tillinger Koskoff, Joseph Garner
Starring
Joaquin Phoenix, Lady Gaga, Brendan Gleeson, Catherine Keener

Arthur faces trial and a volatile relationship with fellow patient Lee Quinzel. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Batman Adventures #12; The Batman Adventures: Mad Love; Joker (2008 graphic novel)

Connection: Character influence; original sequel

117. Captain America: Brave New World (2025)

Marvel
Director
Julius Onah
Produced by
Kevin Feige, Nate Moore
Starring
Anthony Mackie, Danny Ramirez, Shira Haas, Carl Lumbly

Sam Wilson uncovers a conspiracy around President Ross and a race for a powerful resource. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Captain America #25 (2014); All-New Captain America #1–6; Hulk #1–6 (2008)

Connection: Sam-as-Cap and Red Hulk synthesis

118. Thunderbolts* (2025)

Marvel
Director
Jake Schreier
Produced by
Kevin Feige
Starring
Florence Pugh, Sebastian Stan, Wyatt Russell, Olga Kurylenko

A group of damaged antiheroes is trapped together and forced to confront a government-created superhuman crisis. Its screenplay reshapes the character’s comic-book beginnings into a self-contained screen origin while preserving the identity, relationships and choices that define the hero. The result introduces the mythology without requiring prior knowledge of the comics.

Comic connections: Thunderbolts #1–12 (1997); Dark Avengers #1–6; Sentry #1–5 (2000)

Connection: Team/character synthesis; not original team premise

119. The Fantastic Four: First Steps (2025)

Marvel
Director
Matt Shakman
Produced by
Kevin Feige
Starring
Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach, Joseph Quinn

A celebrated superhero family defends its retro-futurist world from the Silver Surfer and Galactus. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: Fantastic Four #1; #48–50 (Galactus Trilogy); #242–244; Marvels #2

Connection: Galactus-era synthesis

120. Superman (2025)

DC
Director
James Gunn
Produced by
Peter Safran, James Gunn
Starring
David Corenswet, Rachel Brosnahan, Nicholas Hoult, Edi Gathegi

Superman’s compassion is tested as Lex Luthor exploits global conflict and unleashes engineered threats. Rather than following one issue exactly, the screenplay combines characters, conflicts and ideas from several comic eras into a new cinematic story. Recognisable motivations and relationships provide continuity with the source material.

Comic connections: All-Star Superman #1–12; Superman for All Seasons #1–4; Action Comics #775; Superman #4 (Krypto)

Connection: Thematic/character synthesis

Marvel & DC Universe – Watchlist created by SLABS N’ STACKS, Comics, CGC Slabs & Collectibles UK.